contemporary art

Galeria SENDA at Art Brussels 2024

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For the 40th edition of Art Brussels, we have been selected for the “REDISCOVERY” section by the Art Brussels Committee, composed of Belgian and international gallerists. On this occasion, we bring back the unclassifiable Zush/Evru, to whom we dedicate the exhibition “Back to being” (2020) after eight years of absence by the artist. The “REDISCOVERY” section is dedicated to underrated, undervalued or forgotten artists of the 20th century, living or deceased. It aims to explore and highlight surprising, unknown and original practices that have not yet entered the mainstream of art history.

The human condition through dreams seen by three generations of artists

It is a pleasure to participate again in Art Brussels, as it presents a strong, international program and a unique mix of established artists and emerging talents that align with our vision. In addition to the “REDISCOVERY” section, the galleries have been divided into three more sections: PRIME, DISCOVERY, INVITED and the SOLO subsection of the fair.

In addition to having a special section to put the focus back on the work of Zush/Evru, we added Sandra Vásquez de la Horra and Gonzalo Guzmán, thus creating a dialogue between three artists of three different generations who address realities of the human condition that are not obvious. Very personal visions of the subconscious. Their own experiences serve as an engine to create unique and personal dream worlds that open spaces for reflection.

Zush/Evru

The personal aesthetic universe of the Barcelona-born artist who, under different names – Albert Porta, Zush and now Evru – has been the protagonist since the sixties of an itinerary that takes us through the most innovative expressive supports. His fluid work is rooted in his even more fluid persona, which has given rise to the Evrugian Mental State, a self-sufficient imaginary world in which he often resides to reflect on concepts such as identity, otherness and the state of being. His artworks act as tangible mediators between the audience and the dreams, emotions, creatures and beings that reside in his dream world. His work blurs the planes of dream and reality with an expression close to surrealism.

Picture of a figure doing a yoga posture

Zush/Evru. Admukarud (2008)

82,8 x 174,2 cm

Sandra Vásquez de la Horra

As a complement to Zush/Evru, Sandra Vásquez de la Horra (Viña del Mar, Chile, 1967) proceeds to work on the plane of her imagination. Her characteristic wax drawings, which could be seen in the exhibition “Meridians” (2018) and “Aura” (2022), evoke a dreamlike state of emotion and fantasy, where her internal expression deals with subversive themes of religion, sex, mythology, death and personal experiences.

Both Vasquez de la Horra and Zush share an interest in the dreamlike and the surreal, but approach these subjects from different perspectives. While Vasquez de la Horra focuses on exploring the deeper aspects of the human unconscious and deconstructing cultural taboos, Zush immerses himself in creating his own alternative worlds. However, both artists share an innate ability to capture the essence of the unreal and the fantastic in their works, inviting the viewer to reflect on the nature of reality and imagination. Like Zush/Evru, Vasquez de la Horra‘s work is rooted in the desire to embody and understand the intangible inner state.

A person looking at an exhibition of drawings hanging on a white wall

Sandra Vásquez de la Horra. “Aura”‘s exhibition view

Wax drawings

Gonzalo Guzmán

Finally, to link the dialogue, we contrast the work of these established artists with one of our latest additions to the gallery, which we exhibited during Art Nou 2023 with the exhibition “Collision“. 

Trained as an industrial designer, Gonzalo Guzmán (Madrid, 1991) began to dedicate himself to sculpture in the wake of the pandemic. During that time of chaos and uncertainty, he experienced “lucid dreams” in which he was aware of living his own dream and could control its development. In these dreams, dolmen-like figures repeatedly appeared to him and served as inspiration. The shaping of these forms in sculptures is a way of research to transfer them to reality. That is to say, the fact of materializing them makes it possible for Guzmán to interact with them on the real plane and at the same time for other people to do so. 

To intertwine Gonzalo Guzmán‘s work with that of Zush/Evru, we can highlight how both artists explore the intersection between the tangible world and the world of dreams. Both challenge the conventional perception of reality and lead us to reflect on the limits of imagination and artistic materialization. While Zush/Evru shows us the landscapes of our dreams, Guzmán offers us the opportunity to touch those ephemeral forms and bring them into the physical world.

Person and white dog in front of a steel sculpture

Gonzalo Guzmán. Dolmen_04 (2022)

190 x 270 x 100 cm

See you at Art Brussels!

For all these reasons, we are pleased to announce our twenty-first participation in the 40th edition of Art Brussels. This prestigious fair is one of the most recognized in Europe and an event marked in our calendar. With a wide variety of proposals, it represents the cultural and artistic richness of the European scene that attracts many collectors, curators, galleries, art professionals from all over the world. This year, the fair will take place at the Brussels Expo, in Halls 5 and 6, and you can find us at stand 5A-22.

ARCO Madrid 2024

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The countdown has begun. ARCO Madrid is just around the corner and from Galeria SENDA we are finishing all the details so that this year we can show you in our stand, 9B23, the latest creations of our beloved artists of the house.

For our thirty-first participation in ARCO, one of the most influential fairs on the international scene, we have invited those who are pillars of our identity and history as a gallery, as well as new young and emerging proposals.

Download Dossier

Jordi Bernadó – «Last & Lost»

This year we are very happy to show you part of Jordi Bernadó‘s new photographic project, “LAST & LOST“. This series of eight photographs, shown in a solo exhibition at Galeria SENDA and part of a larger project, question the ecological and philosophical challenges of the present, dealing with issues such as sustainability, the relationship between technology and nature, the horizons of our future or the role that democracy will play in the fight against new environmental threats. The photographs in “LAST & LOST” portray lost places, endangered ecosystems, areas rendered unfit for habitation due to pollution, and life forms struggling to survive in practically barren landscapes. The artist becomes, then, a witness and spectator of ecological catastrophes in an ambiguous state between existing and not being able to be; just surviving.

Snowy landscape with a small tree

Jordi Bernadó. Old Tjikko, Mörkret, Sweden (S 6.2)cc (2022)
UV printing on methacrylate, mounted on dibond., 180 x 240 cm

Jaume Plensa

Another of the artists that backbone and shape the personality of our gallery is Jaume Plensa, the famed sculptor from Barcelona with an unparalleled international projection. For this edition of ARCO Madrid, Plensa presents his work based on contradictions: light and darkness, the trace of the past and the opening towards the future, natural contradictions and the creations of man’s hand, the immensity of noise and the most intimate spheres of silence.

Photograph of a bronze head sculpture with four hands covering the eyes and mouth.

Jaume Plensa. Who Are You? VI (2016)
Bronze, 38 x 15 x 15 cm

Anthony Goicolea

In contrast, Anthony Goicolea shows us that art can mean brutality, capturing in his plastic works the different prisms and perspectives of social issues such as gender, culture or traditions. Goicolea pours into his artwork his personal and family history, marked by being born Cuban, being gay and practicing the Catholic religion in the south of the country in the early seventies. These factors forged his awareness of social constructions, such as regional traditions or rituals, and how these elements influence and define our identities. In this edition of ARCO, Goicolea will show works in graphite and on oil, where visitors will be able to find themselves in front of subjects that could well be taken from theatrical performances or novels.

Double painting where, in each one, half of a man's body is represented

Anthony Goicolea. The Magician’s (2023)
Oil on canvas, 127 x 254 cm

Sandra Vásquez de la Horra

Another artist invited to exhibit at our stand at ARCO Madrid is the Chilean Sandra Vásquez de la Horra. Through a multiplicity of techniques ranging from three-dimensional pieces, charcoal, watercolor and wax; Vásquez de la Horra traces bodies that she conceives as geographical entities. These bodies, now territories, are divided into two planes: the physical-terrestrial and the mystical. In the physical aspect, the artist narrates with her work the political charge of the people’s resistance against the Chilean dictatorship. On the other hand, in the mystical aspect, Vásquez de la Horra takes the concept of the seven planes or chakras to dialogue in unison between the universe and the Earth.

Paper art installation representing two heads, one on top of the other

Sandra Vásquez de la Horra. Las Cholitas (2024)
Graphite and watercolor on waxed paper, 106 x 77 cm

Evru Zush

It is also characterized by the creation of unique and fantastic forms, Evru Zush. With a mix of techniques and disciplines, Zush presents his “Naga” series, made up of creatures that seem to come out of a science fiction movie.

Drawings of heads attached to tails, similar to those of fishes

Evru Zush. Serie Naga (2018)
Graphite on paper, 24.7 x 9.7 cm

Elena del Rivero

In addition, we will have the presence of the Valencian Elena del Rivero, an established artist who, from New York, continues to produce her artistic projects. Elena Del Rivero‘s work is divided into two lines: a historical one, exploring the collective pain of loss, and a personal one, focused on the construction of existential pillars.

Picture of eight feathers drawn on paper

Elena del Rivero. Flying Letter #24 (2011-2014)
Drawing, 73 x 54.6 x 21.5 cm

Stephan Balkenhol

Stephan Balkenhol will also participate in ARCO Madrid with his wooden work “Man with pink tie“. Balkenhol has managed over the years to establish himself as an artist who perseveres to reintroduce figurative sculpture in the current contemporary scene. His polychrome works are characterized by the contrast between the splinters and shavings that Balkenhol leaves when he effusively carves the raw material of his creations, wood, and the polished areas of the same.

Wooden sculpture of a man with black jacket, white shirt and pink tie

Stephen Balkenhol. Man with pink tie (2022)
Carved wood, 120 x 95.5 x 11.7 cm

Gonzalo Guzmán

Another artist of monumental carvings that joins ARCO is Madrid-born Gonzalo Guzmán. The artist presents in this edition of ARCO his new sculptural project through which Guzmán has tried to explore the inner self using lucid dreams as tools of inspiration and self-knowledge to create works that challenge our belief system. This is why his sculptures represent the metallic structures that appear in his dreams and explore the possibility of reproducing the sublime of the subconscious in reality.

Stainless steel menhir

Gonzalo Guzmán. Menhir_06 (2023)
Stainless steel, 275 x 100 x 60 cm

Gino Rubert

Committed to seduce the eye with the works he creates in order to invite reflection, Gino Rubert represents experiences and emotions through a fusion of artistic disciplines. With a complex technique that mixes the collage of photographs and everyday materials with acrylic and oil, the artist represents the figure of the new woman and the new man, their functions, dysfunctions, conflicts and rhetoric.

Painting of a woman on a railing in a pink dress with pins attached to the surface of the canvas

Gino Rubert. La Barana (2024)
Mixed/canvas, 55 x 46 cm

Yago Hortal

Yago Hortal maintains a close relationship between the artwork itself and the action painting itself. For Hortal, the canvas is part of a performance in which the artist consciously creates spontaneous color forms in an infinite range, expressing passion and vivacity. The paint seems to come out of the canvas, provoking the desire to want to touch it.

Yellow, pink and navy blue broad brushstrokes on a blue and pink gradient background

Yago Hortal. Z86 (2024)
Painting, 50 x 60 cm

Xavi Bou

Another artist who stands out for his spectacular composition is Xavi Bou. With his well-known series “Ornitographies“, a chronophotography project that reveals the invisible patterns that birds trace in the sky when they fly, Bou creates a balance between art and science and, in turn, builds a series of works loaded with visual poetry that hypnotize viewers.

Black and white photograph of a rock in the middle of the sea with a sky full of birds

Xavi Bou. ORNITOPGRAPHY #275 (2018-2019)
Digital print on Hahnemühle Fine Art Pearl 285 gr/m2, 140 x 200 cm

Peter Halley

Peter Halley will be in our Artist Project space as an artist, with a solo show that connects his past stages with his most recent work. In this exhibition visitors will be able to analyze in detail the artist’s most emblematic piece: “Exploding Cell” (1983). The animation that represents this computer is directly inspired by the Cold War and its ravages.

Download Dossier “Exploding Cell“
Photograph of the entrance of an art gallery with paintings on display and a television playing an animation

Peter Halley. Exploding Cell (1983)
Digital Animation

Glenda León

This year we will also be able to enjoy the work of multidisciplinary artist Glenda León, both in our general program and as a guest in the special session entitled “La orilla, la marea, la corriente: un Caribe oceánico“, an exhibition space within ARCO with 23 guest artists that will be curated by Sara Hermann, chief curator of the Centro Cultural Eduardo León Jimenes (Dominican Republic), and Carla Acevedo-Yates, from the Museum of Contemporary Art Chicago.

Small blue mineral-like piece

Glenda León. Sueño concreto de Miró (2022)
Concrete and acrylic, 20 x 20 x 7 cm

We look forward to seeing you in the corridors of ARCO enjoying the art that will be condensed these days in Madrid and that, of course, we can meet at stand 9B23 of the gallery. If you want to be surprised with a wide and rich gallery proposal in disciplines, you will always have a corner where you can escape from the overwhelming atmosphere that a fair as imposing as ARCO can cause. SENDA will always be a space, the path, where you can find yourself again.

JAUME PLENSA beyond La Pedrera

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Currently, the work of Catalan sculptor Jaume Plensa can be seen in numerous venues around the world, including the exhibition at La Pedrera in Barcelona from March 31st through July 23rd, 2023. However, beyond this exhibition, Plensa‘s work is diverse and complex, and deserves an in-depth review. In this article, we want to explore his work beyond his current exhibition in Barcelona, and highlight his time in our gallery over the years.

From March 31st, at La Pedrera, you will be able to discover the most intimate and unknown Plensa in an exhibition that, for the first time, reveals the influence that literature, language and the alphabet have had on his work.

Image of a metal sculpture being lifted by crane to La Pedrera

Installation of Jaume Plensa’s work at La Pedrera

This exhibition is a unique opportunity to delve into the most particular work of this internationally renowned sculptor. With a career spanning from the late twentieth century to the present, Jaume Plensa has stood out for his work on the human figure, where he often fuses matter, words and music in a constant dialogue. This exhibition, curated by Javier Molins, will show some of the artist’s most representative pieces, as well as his evolution over the years.

Image of people photographing a metal sculpture picked up by a crane

Jaume Plensa during the installation of his work at La Pedrera

From Galeria SENDA, having exhibited the sculptor’s work on more than one occasion, we are thrilled that the city of Barcelona receives it in such an honorable way. It makes us especially excited to remember his passage through the gallery, which never goes unnoticed.

At the end of 2016, Jaume Plensa held his first exhibition at Galeria SENDA: «El Bosc Blanc», after 7 years without exhibiting in Barcelona, his hometown. Plensa presented a work that confronted what is shown with what is hidden, the past with the future, the natural construction with the creation by the hand of man, and the sound vibration with silence.

Gallery view, 2016

Gallery view, 2016

The exhibition consisted of various sculptures of young, female faces representing individuality within the social collectivity. The white pieces, “Lou“, “Duna” and “Isabella“, seemed to float on the floor and were complemented by graphite drawings on the wall. Plensa sought for the viewer to connect with the pieces and find their own path through the works placed in the space.

For more information, you can listen to this explanatory video of the artist:

At the end of 2020, he returned to present a new exhibition «La Llarga Nit» at Galeria SENDA, in which he praised the mysterious time of the night, capable of inspiring the soul of poets. The works in the exhibition presented sleeping and silent figures, with a lyrical and contemplative dimension. Plensa suggests that, by having to stop the machinery of doing, humanity is putting into function the machinery of thinking, generating new ways of living in the world. The exhibition included suspended sculptures, works on paper, among other works.

Photograph of an art gallery displaying a sculpture and a painting
Photograph of an art gallery where a bust sculpture is exhibited

Gallery view, 2020

Gallery view, 2020

In addition, beyond the exhibitions, Plensa accompanied us on two occasions last year. The first time he participated with Javier Molins in a talk that took place at the gallery on the occasion of the presentation of the book “Artists in the Nazi camps”. In this talk, Plensa and Molins shared their reflections on the work of artists who were victims of the Holocaust and its importance in the history of art. The second occasion was also in 2022, when he participated in another talk together with photographer Jean-Marie del Moral and journalist Màrius Carol during the presentation of the book «Interior, 2022» by By Publications. In this #SENDATalks, they shared their experiences and reflections on art and creativity in today’s world.

However, even further back in time, in 2017, German sculptor Stephan Balkenhol and Jaume Plensa met on the gallery’s mezzanine to talk about «Sculptures and Public Space» in a dialogue about their trajectory and their interest in promoting sculpture as a value for society and culture.

We are grateful to have been able to witness Plensa‘s unwavering commitment to contemporary art and the opportunity to present his work in a gallery in his own city.

Poesia del silenci, Jaume Plensa

If you are interested in learning about the available pieces by Jaume Plensa, do not hesitate to contact us by email senda@galeriasenda.com or at our SHOP online:

Jaume Plensa – ALCHIMISTES I
Jaume Plensa, Interior

ID Project: JORDI BERNADÓ’s new book

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Last Wednesday, La Central Llibreria de Barcelona was the setting for the presentation of the latest monograph by Jordi Bernadó, “Project ID”. The event, in collaboration with the Museu Nacional De Catalunya and galeria SENDA, with the participation of the journalist Sergio Vila San Juan.

Jordi Bernadó is a photographer with a cosmopolitan and curious vision, a tireless traveler who has left his mark on the world of photography contemporary. One of his latest works, ID Project , was exhibited at the MNAC during the summer of 2022, and has become in the central axis of a publication that explores the complete work of this artist.

What makes Bernadó’s work so interesting is his “relational” approach. Instead of simply capturing images of his subjects, Bernadó acts as an intermediary between the subject and the audience, asking the subject to choose the place where he wants to be photographed. The result is a stage inhabited by a single person, whose identity is not revealed in the image, but in the accompanying text, written by Laura Ferrero.

This approach creates a territory of social experimentation and offers an alternative to the uniformity of human behavior. Instead of simply observing the subjects, Bernadó involves them in the creative process and makes them full participants in the final result. It is an approach that seeks to establish a relationship of trust between the photographer and the subject, and that allows the final image to be a truer and more authentic representation of the person being photographed.

Alejandro Castellote, for his part, carries out an acute and multifaceted analysis of Bernadó’s career, exploring the different readings that can be made of his work and his artistic approach. The publication, co-published with the MNAC in Barcelona and in collaboration with the Senda gallery in Barcelona, is a work that not only explores the work of an artist, but also delves into the very nature of photography and its ability to connect with the world around us.

During the presentation, Bernadó explained this “relational” approach and how this technique allows him to involve his subjects in the creative process and create more authentic and true images. He also spoke of his love of travel and exploration, and how it has influenced his work. It was an opportunity to discover the work of a unique artist in the world of contemporary photography. “ID Project” is a monograph that not only explores Bernadó’s work, but also delves into the very nature of photography and its ability to connect us with the world around us.

Studio Visit, ELENA DEL RIVERO

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#SendaInTheCity

A peek into Elena del Rivero‘s studio in the heart of the East Village reveals walls adorned with her latest works of art and several unfinished pieces, each a testament to his artistic prowess.

Valencian artist Elena Del Rivero was kind enough to invite us into her studio in the heart of the East Village , share with us their latest work and pamper ourselves with a cup of tea. As we sat and drank, we talked about the latest art trends in New York, her life in the city, and her relationship with Spain. Each turn of the conversation shedding new light on the vicissitudes of her singular artistic career.

Elena’s visit was not only an opportunity for us to catch up on the latest happenings in the art world, but also to learn about her ongoing projects. Before leaving the studio, Del Rivero shared with us his latest project, “Home Address,” a tribute to the suffragette movement that was presented the next day at New York City Hall for International Women’s Day.

SANDRA VÁSQUEZ DE LA HORRA wins the Acquisition Award for the SOLO Collection at ARCOmadrid

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The Acquisition Award of the SOLO Collection at the ARCOmadrid 2023 has been awarded to the work ‘The liberation of the myth (2022)’ by the Chilean artist Sandra Vásquez de la Horra, her work has been exhibited at the Galería Senda stand (9B21). This piece will be included in the upcoming Espacio SOLO exhibition titled “Protection No Longer Assured“, which will take place from March 10 and will explore different notions of the sublime.

The award was given by Pablo Martínez, CEO of the SOLO Collection, and Óscar Hormigos, its Chief Creative Officer, as well as Maribel López.

From left to right: Maribel López, Pablo Martínez, Óscar Hormigos and Carlos Durán.

Congratulations to the artist! We also want to express our gratitude both to the SOLO Collection for its commitment and support for contemporary art, and to the #ARCOmadrid fair for offering such an important platform for the art world.

SANDRA VÁSQUEZ DE LA HORRA, The Liberation Of The Myth 2022

EVRU/ZUSH wins the 18th Electronic Art Arco-Beep Award

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The artist Evru/Zush has been awarded the 18th Electronic Art Arco-Beep prize for his work Opaulo (1990), a digital print on canvas exhibited at our stand (9B21 – galeria SENDA). This award, established in 2006, and carried out in collaboration with the ARCOMadrid Fair, has been set as the origin, the triggering element, from the .BEEP { Collection;}, a pioneering initiative in the dissemination of electronic and digital art in Spain.

The work of Evru / Zush is a clear example of his ability to create art that transcends the limits of what is conventional. From the gallery we express our pride and satisfaction at having exhibited the winning work and at having collaborated with an artist who is a “universal pioneer in a world that promotes interactivity and viewer participation”.

Visit by Natalia Garriga, Minister of Culture of the Generalitat, Edgar García, director of the ICEC, Marta Gusta, Director of the Area of Visual Arts at ICEC, Ester Capella, delegate of the Generalitat (Madrid).

We congratulate Zush / Evru on their well-deserved award and thank the Beep Collection and the Newart Foundation for their important work in promoting electronic and digital art .

Children of the Fundació Comtal portray works exhibited in the gallery for the “World Selfie Day in Museums”

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Last Wednesday, January 18, 2023 will remain engraved in the memory of the children of the Fundación Comtal, an organization that has been working tirelessly since 1994 to provide opportunities for the future to children, adolescents and young people in vulnerable situations and their families. On this special occasion, on the occasion of “World Selfie Day in Museums”, they had the privilege of visiting Galeria SENDA.

From the moment they set foot in the gallery, the young people were greeted with a warm welcome and a detailed explanation of the current exhibition: “Love Song” by renowned artist Elena Del Rivero. Excited by the opportunity to immerse themselves in the world of contemporary art, they listened attentively as the story and meaning behind each work of art on display at SENDA was narrated to them.

After absorbing all the information about the exhibition, came the most exciting moment of the visit. As part of the scheduled activity, each child was invited to choose one of the works on display in the gallery to study it closely. With pencils and paper in hand, they immersed themselves in a world of creativity and expression. With each stroke, they tried to capture the essence and beauty of the surrounding artwork. From the vibrant colors to the smallest details, each child let their imagination run wild as they brought their own interpretation of the works to life.

Amidst laughter and murmurs of excitement, the young people shared their creations with each other, enthusiastically describing every detail they had captured in their drawings. For many of them, this experience was much more than just an artistic exercise; it was a unique opportunity to express their emotions and unleash their creativity.

As the visit came to an end, the young people left Galeria SENDA with a sense of satisfaction and pride in what they had accomplished. For them, this experience was not only an opportunity to explore the world of art, but also a reminder that, despite the challenges they face in their daily lives, they have the power to create beauty and meaning around them.

In short, “World Selfie Day at Museums” was not only a celebration of art, but also a reminder of the positive impact art can have on the lives of children, especially those who need it most. Although it may seem like a global, absurd and little-known day, it is thanks to such oddities that art never dies. Moreover, thanks to initiatives such as the one proposed by Galeria SENDA for this celebration, art continues to be a beacon of hope and creativity for future generations. Because, as the German philosopher Friedrich Nietzsche, said: “Without art, life would be a mistake“.

Image of a group of people in an art gallery

Chus Roig, partner and co-founder of the gallery during the explanation with the Fundació Comtal group

Here are some of the most outstanding drawings that the children of the Fundació Comtal created for this initiative, along with their respective original work:

Sculpture of a young woman's face by Jaume Plensa
Jaume Plensa
Martina (2022)
Wood, 140 x 32 x 44 cm

Metal and glass sculpture
Túlio Pinto
Complicity #29 (2021)
Steel and glass, 140 x 40 x 96 cm
Wooden sculpture of a man with black jacket, white shirt and pink tie
Stephan Balkenhol
Man with pink tie (2022)  
Wood, 120 x 95.5 x 11.7 cm
Dark canvas with large white star in the center and the word "FEAR" in red
Elena Del Rivero
#102 (2020)
Collage with damaged and recovered fragments of acrylic on canvas, oil, thread and canvas plastered on museum board, 29 x 23 cm
Abstract painting of beings with yellow faces
Evru Zush
Girls Of My Life (1988)
Oil on paper, 92 x 184 cm

Imma Prieto on “Love Song”, a show by Elena Del Rivero

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Conducting: the ritual of gesture

By Imma Prieto, director of Es Baluard, Museu d’Art Contemporani de Palma

Elena del Rivero has generated new music sheets, compositions constituted in and from the fragment, a palimpsest of memories that create community and collective imagination. Each work is nourished by previous gestures and generates choreographies in which we can intervene from shared thought. All these works accompany each other and are constellations that make up her vital imagination.

In this stellar space other voices resonate, other internal and social movements. In this space that welcomes us today, intimate passages and collective revolts are presented in constant dialogue, all forging her visual writing. Images, words, sound, spaces, her universe flies over us and touches us.

Without this necessary friction, the movement that fosters conduction would not take place, which, in the composer’s words, becomes a universal vocabulary in which music becomes language, made up of gestures and cadences, of fragments and memories of a collective ritual.

Some of the fragments that make up these collages were part of other works that were on the floor of his old studio, located on Cedar Street in New York, the day the attack took place of the World Trade Center, on September 11, 2001.

We could imagine that, months later, after collecting the fragments, Butch Morris was being heard in some room in the city. Tunes that coexist and promote frequencies from almost forgotten remnants. It is interesting to point to that gesture before and after something, it is interesting to think together about that universal conduction.

It is convenient to attend to the generated landscapes, to the ritual that surrounds them and allows us to be united, with that pairing of images, rhythms and stories, with that simultaneity that promotes the performativity of the ritual.

Access all the information about the show here:

Opening: 12.01.2023 at 7pm in Galeria SENDA.

Read the complete text in spanish here:

Texto CompletoDescarga

Galeria SENDA at By Invitation III – Círculo Ecuestre de Barcelona

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The Círculo Ecuestre is organizing this year 2022 its third edition of By Invitation: Círculo Internacional de Arte Moderno y Contemporáneo, at the club’s headquarters, located at 169 Bis Balmes Street. From December 14 to 18, twenty-three galleries, both national and international, have been chosen to exhibit representative works of modern and contemporary art in this Barcelona space. The By Invitation initiative arose from the mind of businessman and politician Enrique Lacalle, vice-president of the Círculo Ecuestre, in response to the need to offer the city of Barcelona a unique artistic event in an exclusive environment that makes attendees feel part of a special circle. Such has been the success of this annual exhibition that this year the Círculo Ecuestre is hosting the event for the third consecutive year.

Imagen del logo del Círculo Ecuestre y de la propuesta galerística “By Invitation”

For this edition of By Invitation 2022, we present part of the collections of some of the artists that make up the essence of Galeria SENDA. Firstly, the internationally known Jaume Plensa will exhibit his spectacular bronze sculpture “Study for Martina” as well as his work on paper “Dee“. His projects, characterized by monumentality and the exploration of the duality between the material and the immaterial, stand out for his ability to create sculptures that transcend the physical and explore the human essence and communication. Plensa is recognized for his public sculptures located in cities around the world, which awaken reflection and emotional connection with the viewer.

Joining this artistic event are the works of Antoni Tàpies, the prominent Catalan artist known for his contribution to the informal art movement or informalism and for his exploration of matter and textures in his artistic representations. Tàpies developed a distinctive style that combined abstract elements with symbols and signs charged with meaning. His work reflects his interest in the spiritual and metaphysical, using everyday materials such as soil, sand and found objects to create a unique artistic expression that challenges the traditional conventions of art. Tàpies left a lasting legacy in Spanish and international contemporary art, being recognized as one of the most influential artists of the 20th century. Part of his legacy will be exhibited in this edition of By Invitation with works such as “LLULL XXXIV” or “Polze núm.2“.

North American Peter Halley will also be exhibiting at the Círculo Ecuestre this year. Peter Halley is an outstanding artist whose work has left a profound mark on the international art scene. Recognized for his participation in the neo-geo movement of the 1980s, Halley uses geometry as a language to explore space and time in our contemporary society. His works, with cold, rectilinear geometric forms, reflect the closed and often oppressive order of our urban environment. Through his characteristic roll-a-tex texture and expressive use of color, Halley establishes connections to Pop Art and mass culture, offering a critical and reflective look at our social and political reality.

Yago Hortal and his monumental canvases will be hanging on the walls of By Invitation III. Born in Barcelona, he is an artist noted for fusing chance and consciousness in his creative process, turning the canvas into a vibrant stage where color comes to life. His expressive and passionate style invites the viewer to experience tactile sensations, creating a unique connection between the work and the viewer. A dozen of his canvases can be seen on the walls of the Círculo Ecuestre.

Xavi Bou‘s chronophotographic work will also be on display for this new edition. A geologist by training and photographer by passion, Bou has fused his love for the natural sciences with his artistic ability to reveal the hidden beauty of nature. Inspired by his experiences in the wetlands of the Llobregat delta, Bou has developed his most emblematic project, “Ornithographies,” which captures the invisible patterns traced by birds in the sky during flight. Through a unique combination of art and science, Bou has managed to challenge human perception and offer a new perspective of the natural world. This exhibition will feature three of his photographs from “Ornithographies“.

Túlio Pinto and his sculptural work “Complicity #34” will be present as part of SENDA‘s gallery proposal for By Invitation 2022. The Brazilian sculptor defies physical laws through his work, creating tensions and balances that defy gravity. With a background in Fine Arts and specialization in sculpture, Pinto uses a variety of opposing materials, such as cement, iron and frozen water, to achieve a unique harmony in his works.

Galeria SENDA‘s latest proposal is Gonzalo Guzmán, a sculptor from Madrid who, in his recent projects, uses lucid dreams as a source of inspiration and inner exploration in his art. His sculptures, which represent the metallic structures of his dreams, challenge the limits of reality and perception. By questioning our beliefs through art, Guzmán invites us to reflect on the world around us and our relationship with it.

In collaboration with Lab36, we will also exhibit works by Albert Pinya and Mina Hamada. Pinya, a multidisciplinary artist, explores human duality and social tensions through his works. With a provocative style and vibrant palette, he addresses themes such as identity, power and contemporary culture. His paintings and sculptures, charged with symbolism and energy, incite the viewer to question the complexity of the modern world and human interactions. On the other hand, multicultural artist Hamada fuses influences from East and West in her expressive murals and artworks. With a palette of warm colors and organic forms, Hamada invites the viewer to explore her dream world, where youth and philosophical depth intertwine harmoniously.

Imagen de una exposición con cuadros coloridos colgados y dos personas observando
LAB36 – Booth E9
Imagen de una exposición con cuadros y esculturas expuestas y dos personas observando
Galeria SENDA – Booth E9
Imagen de una exposición con dos cuadros, uno azul y el otro blanco, colgados, así como una escultura de acero inoxidable expuesta
Xavi Bou & Gonzalo Guzmán
Imagen de dos hombres en traje posando delante de una exposición de arte
Carlos Durán & Enrique Lacalle
Imagen de dos cuadros coloridos con siluetas de caras trazadas en negro y un jarrón de cerámica con caras trazadas en azul
Albert Pinya
Imagen de una escultura de metal de Jaume Plensa
Installation shot 2020
Imagen de un salón clásico con pinturas y esculturas expuestas
Installation shot 2021

As this is a private social club, access to enjoy the exhibitions is by invitation only. To obtain one of these, please contact the gallery in advance. In addition, and in parallel to the exhibition, there will be a series of conferences related to the works presented. For more information about the By Invitation III program, click on the following link https://byinvitation.es/ and discover every detail of this new edition.

Invitation