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Xavi
Ornithographies Book, Special Edition (A), 2022
Book in custom-designed clamshell box (28,5 x 31 cm) + Limited-edition signed and numbered print (20 x 25 cm) on Hahnemüle FineArt Pearl 285 gr/cm2 paper
28.5 x 31 cm
Xavi
Ornithographies Book, Special Edition (B), 2022
Book in custom-designed clamshell box (28,5 x 31 cm) + Limited-edition signed and numbered print (20 x 25 cm) on Hahnemüle FineArt Pearl 285 gr/cm2 paper
28.5 x 31 cm
Xavi
Ornithographies Book, Special Edition (C), 2022
Book in custom-designed clamshell box (28,5 x 31 cm) + Limited-edition signed and numbered print (20 x 25 cm) on Hahnemüle FineArt Pearl 285 gr/cm2 paper
28.5 x 31 cm
Elena
#69, 2020
Fragmentos dañados y rescatados del 9/11 y de Sandy, óleo sobre lino imprimado, óleo, hilo y documentos rescatados numerados y catalogados del 11 de septiembre en tinta, hoja de plata esterlina oxidada , acuarela e hilo, y tarjeta postal dañada del 11 de septiembre de Éxtasis de la Theresa Chiesa Della Vittoria de Bernini, Roma, sobre papel de acuarela
30.5 x 23 cm
140
Interior, Jaume Plensa (Ed. 154/200), 2022
176 páginas impresas sobre Tatami White de 200g, cubierto en tapa dura con madera tratada.
45 x 40 x 10 cm
103
Edición especial de coleccionista Zeta Cero (Versión en español - verde) - ULTIMOS EJEMPLARES , 2021
screen printed on Somerset Velvet Natural White 300 gsm cotton fibre engraving paper and handmade case with hinged lid and magnets lined with printed Brillanta fabric.
32 x 25 x 3.5 cm
103
Edición especial de coleccionista Zeta Cero (Versión en inglés - amarillo), 2021
screen printed on Somerset Velvet Natural White 300 gsm cotton fibre engraving paper and handmade case with hinged lid and magnets lined with printed Brillanta fabric.
32 x 25 x 3.5 cm
103
Edición especial de coleccionista Zeta Cero (Versión en catalán - naranja), 2021
screen printed on Somerset Velvet Natural White 300 gsm cotton fibre engraving paper and handmade case with hinged lid and magnets lined with printed Brillanta fabric.
32 x 25 x 3.5 cm
179
Spring Mimosa Dec 12, 2019
Esmalte, vinilo, pintura al óleo y alquitrán sobre masonita150
122 x 244 cm
136
Mare Mediterraneum #5, 2017
porcelana, pintada a color
52.3 x 28 x 23.2 cm
95
Aitor Ortiz : Gaudí Impresiones Íntimas. Ed 50, 2019
El interior en papel "biblioprint" de 55gr/m2 y textos en tipografia Helvética Neue de Lynotipe
23.5 x 17 x 2 cm
111
Inflatable Pieta, 2021
Oil on raw linen canvas
90 x 130 cm
111
Perched for Success (Self-Portrait with Bird Shit), 2020
Oil on Raw Linen Canvas
61 x 46 cm
111
Anonymous Portrait series, 2016
139 x 106 cm
111
Sacrifice, 2010
60.9 x 47.6 cm
Bea Sarrias
Onix and Barcelona, 2022
Mix media on linen
70 x 70 cm
156
Ingres, 2022
Pigmento natural sobre madera
63 x 40 cm
Isdributh, 2009
85.5 x 174 cm
Kalina Dafic, 1989-1990
205 x 158.5 x 5 cm
Naga Orivra, 2019
24.7 x 9.7 cm
141
"Howard R. Hollem: Naval air base. Corpus Christi, Texas. Like a man from Mars, a sailor at the Corpus Christi, Texas, naval air base wears the new type of protective clothing and gas mask designed for use in chemical warfare. These uniforms are lighter than the old type", 2017
Rotulador permanente, impresión Inkjet y acrílico en tela sobre tabla
40 x 30 cm
141
"Arthur S. Siegel: Detroit, Michigan. A Venetian night party at the Detroit yacht club, whose members represent the wealthier class of manufacturers and their friends. Commodore and girls drinking", 2017
Rotulador permanente, lápiz y acrílico sobre tabla
40 x 30 cm
141
“Alfred T. Palmer: Mitchell Field. Eagle ready for battle. An American pursuit pilot in combat gear is all set to climb into his plane. His flying equipment includes a combined oxygen mask and throat-type microphone, headphones, parachute and Mae West life jacket”, 2017
Permanent marker, inkjet printout, and acrylic on board
40 x 30 cm
141
“Richard Boyer: New York, New York. Playing cards, Braille playing cards are used, at the Lighthouse, an institution for the blind, at 111 East Fifty-ninth Street. Note the tiny identification marks on the corners of the cards”, 2017
Pencil, inkjet print and acrylic on board
40 x 30 cm
96
Lánguida, 2019
Mixed media on canvas
114 x 92 cm
96
Gallery Kiss, 2017
Mixed technique on paper
144 x 165 cm
140
SLUMBERLAND II, 2015
100 x 70 cm
Stockholm (E 39.2), 2011
125 x 154 cm
86
José Pedro Croft, 2016
Gouache, tinta sintética y tinta china sobre papel
100 x 70 cm
156
Mediterranean waves III, 2021
Organic resin on linen
162 x 114 cm
183
Equilibrio, 2021
Talla en madera y esmalte
50 x 45 x 13 cm
182
Transition 1 , 2022
Acrílico sobre lienzo
146 x 114 cm
180
Wataridori I, 2017
Acrylic on canvas
100 x 100 cm
181
El Pangolín , 2021
El Pangolín es una antología de recuerdos y reflexiones de los meses de cuarentena vividos por Juncosa. Sus relatos, ambientados en distintas localidades, crean universos en que el realismo se complementa con toques de fantasía e invitan el lector a sumergirse en los múltiples escenarios producidos por Juncosa elegantemente ilustrados por Espírito Santo.
25 x 33 x 2 cm
156
Skin sphere I, 2021