Once again this year, SENDA is pleased to announce that we will be back at By Invitation 2024, an exhibition of modern and contemporary art that, for the fifth consecutive year, will be held at the Círculo Ecuestre de Barcelona.
With the intention of fostering the dialogue between different artistic currents, By Invitation 2024 will feature invited galleries and selected projects, covering both the secondary market and the primary market of established and emerging artists from the national scene. The show will be mostly made up of galleries from Barcelona, although there will also be galleries from other parts of Spain, such as Madrid, Valencia and Gijon.
In this edition, SENDA has its own space to present its gallery proposal: the Japanese Room. The imposing room will host the works of a wide variety of artists, reflecting the versatility of the gallery. From the Chinese ink lithographs of Gao Xingjian, to the dreamlike sculptures of Gonzalo Guzman, the imposing acrylic paintings of Yago Hortal, the colorful wooden creations of Mina Hamada, the black and white photographs of Robert Mapplethorpe, or the mixed media compositions of the internationally renowned Jaume Plensa.
In particular, we would like to let you know that the hall will be an accomplice of a tribute to the famed painter Joan Miró on the occasion of his year of celebration. The piece presented will be a watercolor, “Aquarelle sur papier”, from the artist’s Japanese series. A perfect work to be exhibited in a room full of oriental influences.
If you do not want to miss the opportunity to be part of this exhibition, ask for your accreditation in the link below. See you from the 7th to the 10th of November at the Círculo Ecuestre de Barcelona.
An honorary doctorate is the highest distinction that a university can bestow on a person in recognition of an outstanding academic, scientific or cultural career. Jaume Plensa, one of the most influential artists of our time, has had a 2024 full of awards, consolidating his status as a key figure in contemporary art. This year, the Catalan sculptor has been awarded two honorary doctorates, awarded by a national and a foreign university, bringing his total to five titles of this rank in his career.
A successful year
In 2024, Plensa was honoured by the University of Notre-Dame (Indiana, USA) in April and more recently, on 30 September, by the Universitat de Barcelona, in an event that honoured other prominent figures from the world of culture such as filmmaker J.A. Bayona, multidisciplinary artist Lita Cabellut and actress and stage director Núria Espert. These awards not only celebrate Plensa‘s artistic excellence, but also his impact on society through his commitment to causes such as social justice and human rights.
From his imposing public sculptures to his delicate installations, Plensa has left a profound mark on the global art scene. His work transcends borders and connects with the viewer in a visceral way, inviting us to reflect on the human condition, spirituality and collective memory. Works such as the monumental ‘Crown Fountain’ in Chicago’s Millennium Park or ‘Nomade’ in Antibes (France) demonstrate Plensa‘s ability to transform public space into a place of contemplation and dialogue.
From here, we join in the applause for Jaume Plensa, whose art continues to inspire, break barriers and create human connections on a global level.
Currently, the work of Catalan sculptor Jaume Plensa can be seen in numerous venues around the world, including the exhibition at La Pedrera in Barcelona from March 31st through July 23rd, 2023. However, beyond this exhibition, Plensa‘s work is diverse and complex, and deserves an in-depth review. In this article, we want to explore his work beyond his current exhibition in Barcelona, and highlight his time in our gallery over the years.
From March 31st, at La Pedrera, you will be able to discover the most intimate and unknown Plensa in an exhibition that, for the first time, reveals the influence that literature, language and the alphabet have had on his work.
Installation of Jaume Plensa’s work at La Pedrera
This exhibition is a unique opportunity to delve into the most particular work of this internationally renowned sculptor. With a career spanning from the late twentieth century to the present, Jaume Plensa has stood out for his work on the human figure, where he often fuses matter, words and music in a constant dialogue. This exhibition, curated by Javier Molins, will show some of the artist’s most representative pieces, as well as his evolution over the years.
Jaume Plensa during the installation of his work at La Pedrera
From Galeria SENDA, having exhibited the sculptor’s work on more than one occasion, we are thrilled that the city of Barcelona receives it in such an honorable way. It makes us especially excited to remember his passage through the gallery, which never goes unnoticed.
At the end of 2016, Jaume Plensa held his first exhibition at Galeria SENDA: «El Bosc Blanc», after 7 years without exhibiting in Barcelona, his hometown. Plensa presented a work that confronted what is shown with what is hidden, the past with the future, the natural construction with the creation by the hand of man, and the sound vibration with silence.
Gallery view, 2016
Gallery view, 2016
The exhibition consisted of various sculptures of young, female faces representing individuality within the social collectivity. The white pieces, “Lou“, “Duna” and “Isabella“, seemed to float on the floor and were complemented by graphite drawings on the wall. Plensa sought for the viewer to connect with the pieces and find their own path through the works placed in the space.
At the end of 2020, he returned to present a new exhibition «La Llarga Nit» at Galeria SENDA, in which he praised the mysterious time of the night, capable of inspiring the soul of poets. The works in the exhibition presented sleeping and silent figures, with a lyrical and contemplative dimension. Plensa suggests that, by having to stop the machinery of doing, humanity is putting into function the machinery of thinking, generating new ways of living in the world. The exhibition included suspended sculptures, works on paper, among other works.
Gallery view, 2020
Gallery view, 2020
In addition, beyond the exhibitions, Plensa accompanied us on two occasions last year. The first time he participated with Javier Molins in a talk that took place at the gallery on the occasion of the presentation of the book “Artists in the Nazi camps”. In this talk, Plensa and Molins shared their reflections on the work of artists who were victims of the Holocaust and its importance in the history of art. The second occasion was also in 2022, when he participated in another talk together with photographer Jean-Marie del Moral and journalist Màrius Carol during the presentation of the book «Interior, 2022» by By Publications. In this #SENDATalks, they shared their experiences and reflections on art and creativity in today’s world.
However, even further back in time, in 2017, German sculptor Stephan Balkenhol and Jaume Plensa met on the gallery’s mezzanine to talk about «Sculptures and Public Space» in a dialogue about their trajectory and their interest in promoting sculpture as a value for society and culture.
We are grateful to have been able to witness Plensa‘s unwavering commitment to contemporary art and the opportunity to present his work in a gallery in his own city.
This was already announced by Richard Wagner when he coined the term “Gesamtkunstwerk”, referring to opera as a total work of art that integrates the six arts: painting, sculpture, music, poetry, dance and architecture.
The Wagnerian ideal seeks a fusion between all the participatory elements of opera, as Jaume Plensa, known for his multifaceted artistic vision, has done. The Catalan artist has taken on the challenge of directing the stage production of the opera Gran Teatre del Liceu in Barcelona.
Verdi’s well-known opera premieres this February 16 under the direction of Josep Pons, with a powerful aesthetic and ritual presence of Jaume Plensa. Inspired by Shakespeare’s Macbeth, the artist confesses that “it is one of the most profound and interesting reflections on duality between body and soul, between abstraction and matter“.
Plensa affirms that “it is one of Shakespeare’s most mental plays, because we have all been Macbeth, Lady Macbeth and other characters in the play at one time or another“, which is addressed “to the deepest sense of the human being“. All in all, for Plensa, Macbeth represents a deeply introspective theatrical work that resonates with the universal human experience. He explains that each character in the play is a representation of diverse aspects of the human being, inviting the viewer to explore his or her own psyche through the operatic narrative.
“I wanted to make a completely mental opera, to see in each scene moments that are like us, we have all been characters in the piece at one time or another“. Through the costumes, with most costumes out of his time, working on the choreography with Antonio Ruiz and lighting with Urs Schönebaum, Jaume Plensa aims to bring the viewer a more spiritual vision of the work, capturing in the best possible way the journey through the imaginary characteristic of the sculptor. His goal is to take the viewer on a spiritual journey through the rich imaginary that characterizes his work as a sculptor.
Comprising nearly a hundred works, the exhibition covers Jaume Plensa’s production from 1990 to the present and has as a common thread the influence of literature and literature in his artistic production.
This morning, the Fundación Bancaja presented the exhibition “Jaume Plensa. Poetry of silence“, one of the largest retrospectives to date of one of the most renowned sculptors in international contemporary art. The exhibition reviews the artistic production of Jaume Plensa during four decades with the original influence of literature and letters in his work as a common thread, being the first retrospective to be developed from the prism of this creative universe that has been a constant throughout his career. The presentation was attended by Jaume Plensa; the president of the Fundación Bancaja, Rafael Alcón; and the curator of the exhibition, Javier Molins.
Installation shot, Poetry of Silence
Installation shot, Poetry of Silence
The exhibition is made up of about a hundred pieces dating from 1990 to the present, based on his sculptural work but also including works on paper. The exhibition tour reveals to the public some unpublished sculptures created by Plensa during the COVID-19 confinement, which are presented for the first time. The pieces presented include the iconic sculpture “Together” (2014), which was exhibited in 2015 at the Abbey of San Giorgio Maggiore during the Venice Biennale and has not been exhibited since.
The artist Jaume Plensa for TV3
Literature has always been a source of inspiration for Jaume Plensa. T.S. Eliot, William Shakespeare, Dante, Goethe or Vicent Andrés Estellés are some of the writers who have accompanied him throughout his life and have served as inspiration for countless works. This literary influence also extends to the letter itself as an element with which he composes his sculptures.
The exhibition shows how Plensa has used letters in many different ways, whether on curtains, gongs or the human body, perhaps his best-known works. This intersection of language with the human body is one of the bases of Plensa‘s work. As the artist explains, “a letter seems nothing, it is something humble, but together with others they form words, and words form texts and texts form thought“.
The sculptor began with the Latin alphabet and gradually incorporated other alphabets, such as Hebrew, Arabic, Chinese, Japanese, Greek, Cyrillic, Korean, Hindi, etc. For Plensa, each letter has a unique beauty, but all of them together are a sample of the diversity of the world and the coexistence of different cultures.
From left to right: Javier Molins, Carlos Durán, Jaume Plensa and Laura Medina
The retrospective includes both large and medium-sized works as well as Plensa‘s more intimate small-format works. Along with the presence of literature as a source of inspiration, the exhibition includes other constant themes in his career such as silence, dreams and desire, music and family.
The exhibition “Jaume Plensa. Poetry of silence” can be visited at the headquarters of the Fundación Bancaja in Valencia (Plaza Tetuán, 23) from November 25, 2022 to March 19, 2023.
Last Monday, November 7, Barcelona became the epicenter of art and reflection when Galeria SENDA opened its doors to welcome three prominent names from the cultural world: sculptor Jaume Plensa, photographer Jean-Marie del Moral and journalist Màrius Carol. The reason for this meeting was the presentation of the book “Interior, 2022”, a work that transcends the printed pages to explore the challenges and opportunities faced by creators in the context of a globalized market.
The theme of the talk, entitled “Shared Challenges. Creating in a Global Marketplace“, addressed profound and pertinent questions about the creative process in the contemporary world. How do artists face the pressure of producing in a globalized environment? What impact do market trends have on creativity and originality? These were some of the questions raised during the conversation, which turned into an exciting dialogue between creative minds.
Jaume Plensa, known for his imposing sculptures that explore the relationship between the individual and the environment, shared his vision of the need to maintain authenticity in a world flooded with external influences. For Plensa, true creativity arises from the connection with oneself and the surrounding environment, and it is crucial to preserve that connection in a globalized context.
For his part, Jean-Marie del Moral, whose photography captures the essence of urban life and human diversity, spoke about the role of art as a tool for expression and resistance in an increasingly homogenized world. For Del Moral, creativity is an act of resistance against uniformity, a way of celebrating the diversity and complexity of the world we inhabit.
Màrius Carol, a journalist with a long career in the cultural field, provided a unique perspective on the role of the media in the promotion and dissemination of contemporary art. In a world where attention is fragmented and information is constantly flowing, Carol stressed the importance of telling authentic and meaningful stories that connect with audiences on an emotional level.
The presentation of the book “Interior, 2022” marked the beginning of a series of #SENDATalks, a typology of talks organized by Galeria SENDA that brings together artists, creators and thinkers to explore relevant topics in the world of art and culture. These meetings provide a platform for the exchange of ideas, debate and reflection, fostering an open and enriching dialogue between different disciplines and perspectives.
The event concluded with a question and answer session, where the audience had the opportunity to interact with the speakers and delve deeper into the topics discussed. The atmosphere was one of inspiration and camaraderie, leaving a lasting impression on all present and sowing the seeds for future conversations and creative collaborations. In short, the talk at Galeria SENDA was much more than a book presentation; it was a transformative encounter that illuminated the complexities and challenges of the creative process in the 21st century, and demonstrated the power of art and culture to bring people together and enrich our lives.
