Jaume Plensa, Jean-Marie del Moral and Màrius Carol meet at Galeria SENDA

Last Monday, November 7, Barcelona became the epicenter of art and reflection when Galeria SENDA opened its doors to welcome three prominent names from the cultural world: sculptor Jaume Plensa, photographer Jean-Marie del Moral and journalist Màrius Carol. The reason for this meeting was the presentation of the book “Interior, 2022”, a work that transcends the printed pages to explore the challenges and opportunities faced by creators in the context of a globalized market.

The theme of the talk, entitled “Shared Challenges. Creating in a Global Marketplace“, addressed profound and pertinent questions about the creative process in the contemporary world. How do artists face the pressure of producing in a globalized environment? What impact do market trends have on creativity and originality? These were some of the questions raised during the conversation, which turned into an exciting dialogue between creative minds.

Jaume Plensa, known for his imposing sculptures that explore the relationship between the individual and the environment, shared his vision of the need to maintain authenticity in a world flooded with external influences. For Plensa, true creativity arises from the connection with oneself and the surrounding environment, and it is crucial to preserve that connection in a globalized context.

For his part, Jean-Marie del Moral, whose photography captures the essence of urban life and human diversity, spoke about the role of art as a tool for expression and resistance in an increasingly homogenized world. For Del Moral, creativity is an act of resistance against uniformity, a way of celebrating the diversity and complexity of the world we inhabit.

Màrius Carol, a journalist with a long career in the cultural field, provided a unique perspective on the role of the media in the promotion and dissemination of contemporary art. In a world where attention is fragmented and information is constantly flowing, Carol stressed the importance of telling authentic and meaningful stories that connect with audiences on an emotional level.

The presentation of the book “Interior, 2022” marked the beginning of a series of #SENDATalks, a typology of talks organized by Galeria SENDA that brings together artists, creators and thinkers to explore relevant topics in the world of art and culture. These meetings provide a platform for the exchange of ideas, debate and reflection, fostering an open and enriching dialogue between different disciplines and perspectives.

The event concluded with a question and answer session, where the audience had the opportunity to interact with the speakers and delve deeper into the topics discussed. The atmosphere was one of inspiration and camaraderie, leaving a lasting impression on all present and sowing the seeds for future conversations and creative collaborations. In short, the talk at Galeria SENDA was much more than a book presentation; it was a transformative encounter that illuminated the complexities and challenges of the creative process in the 21st century, and demonstrated the power of art and culture to bring people together and enrich our lives.

To learn more about this #SENDATalk discover the talk on YouTube Live and Instagram Live

Image of a talk in an art gallery
Three men with microphones giving a talk
Photograph of two men in front of a wall with drawings smiling at the camera
Photograph of two men holding a large book with black letters on a white background

See you at the next #SENDATalk 🗣!

Roger Ballen for Loop Fair 2022: “Roger The Rat”

Roger Ballen, “Roger The Rat” for LOOP Fair Barcelona

15- 17 November 2022

📍Room 304, Almanac Barcelona

We’re happy to announce Roger Ballen as this year’s artist for Loop Fair with his work: “Roger the Rat”, which will be exhibited at #LOOP22 (15-17 Nov) where a selection of contemporary artists’ films and videos will be presented by international galleries in a unique viewing experience in Barcelona.

Roger Ballen created a persona, Roger the Rat. Here, the artist creates and documents an archetypal persona who is a part-human, part-rat creature who lives an isolated life outside of mainstream society. In this film, we follow Roger the Rat, as he moves out of his restrictive hovel to an abandoned graveyard of discarded mannequins taking them to his house to dress and communicate with them.

Initially Roger the Rat was ecstatic with his newfound companions as he could dress them, talk to them and share his feelings. As time passes, he comes increasingly frustrated by their lack of response which leads to his outbursts of violent and irrational behavior. Roger the Rat, gives expression to the corroding effects of loneliness, seclusion, and uncomfortable suffocation in confined spaces afflicted on the human psyche as a consequence of the isolation.

ALL THE INFORMATION HERE

ARTIST BIO

Roger Ballen was born in New York in 1950, son of a photograph editor at Magnum.

Ballen has worked as a geologist and mine consultant before launching his own photographic career, documenting small towns in rural Africa and their isolated inhabitants, spending more than 40 years living there.

It was in the 90s when his style changed, trying the black and white technique and a more ‘documentary fiction’ approach to his work. Ballen has always been intrigued by the idea of a hybrid between photography and drawing, as well as the expansion of his visual language, making him experiment with video works where the human conditions are his main subject matter.

He is considered one of the most influential artists of the 21st century, having published over 25 books internationally and being part of multiple solo and group exhibitions since 1981.

The Central Library of Cantabria hosts the work of the Italian photographer Massimo Vitali

Since 1993, the Italian Massimo Vitali stands on a platform several meters high, and with a large camera he photographs beaches, nightclubs, ski resorts, supermarkets, swimming pools and other busy leisure areas.

The work of this contemporary photographer embodies the essence of leisure activity in the summer season.

But there’s more than meets the eye when it comes to this author’s idyllic seascapes. Vitali responded to the political turmoil in Italy in the 1940s, launching his beach series in the mid-1990s as a political commentary on mass tourism and social complacency. While Vitali’s photographs seem to depict the paradisiacal appearance from each place he captures, his work actually focuses on the individuals who appear in the composition and their collective response to society.

Using the beach as a platform for social research, Vitali sought to photograph bathers in their most vulnerable state in order to document society in its most authentic state Most of the artist’s work captures tourist destinations in Italy as it retains the idea that taking quality photos does not necessarily require traveling outside of your local community. Some of the famous places immortalized in Vitali’s work include Spargi Cala Corsara Cala Mariolu Porto Miggiano and Cefalù Viareggio however Vitali has since it has expanded beyond the borders of Italy to vacation spots in Brazil, Greece, Turkey and Spain.

Massimo Vitali photographs the latest outdoor furniture | Wallpaper*
Massimo Vitali, by Wallpaper*

Since the start of his iconic beach series, Vitali has continued to explore the natural environment, but instead focused on the impact of human disturbance on nature In contrast to his coastal scenes, Vitali focuses less on the pleasure and leisure of people and, instead, in the complex relationship between humans and their impact on the environment his most recent series entitled Disturbed Coastal Systems (April 2017) reveals an implicit message of the tension built between the man and nature.

Dates

08.09.2022- 02.10.2022

Organizer
Government of Cantabria. General Directorate of Culture and PHotoESPAÑA

Headquarters

Central Library of CantabriaC/ Ruiz de Alda, 19, 39009 Santander

Schedule

Mon-Fri / Mon-Fri: 09:00 – 21:00

Sat-Sun; fest / Sat-Sun; Hol: 11:00 a.m. – 8:00 p.m.

Entrance
Free entry / Admission free

More information about this artist and his work on our website.

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ZUSH at the Museum Of Contemporary Art Of Ibiza

From June 3 to November 30, 2022 | Museum of Contemporary Art of Ibiza
Curators: Enrique Juncosa, Xavier de Luca (Fundación Suñol) & Elena Ruiz.

Collaborator Galeria SENDA

The Councilor for Culture of the Eivissa City Council and president of the Board of Trustees of the Eivissa Museum of Contemporary Art, Pep Tur, the director of the Eivissa Museum of Contemporary Art, Elena Ruiz, and the artist Zush have presented the exhibition “Zush en Eivissa” which was inaugurated on Friday, June 3 at 7:00 p.m. and will remain on display until November 30, 2022.

The Councilor for Culture and President of the Board of Trustees of the Pep Tur Museum of Contemporary Art has stated that:

Zush is one of the essential artists to understand the evolution of Spanish art in the 70s and 80s mainly. We are lucky that a large part of this production was made on the island of Eivissa. Getting a part of it together makes it one of the most important exhibitions of the season, not only in Ibiza or the Balearic Islands, but throughout the country. This exhibition demonstrates the increasingly ascending line that MACE has had in recent years.

The exhibition focuses on the period between 1968 and 1983 in which Zush resided on the island of Ibiza, a period that became a moment of intense creativity for the artist, who experimented with very diverse formats and techniques, such as fluorescent painting illuminated by black light. This exuberant diversity of artistic proposals will be reflected in an exhibition that will present more than a hundred works, some seventy from the Suñol Soler Collection, which will be exhibited in the Arms Hall of the Ibizan museum.

The artist Zush has stated that: The works that can be seen in this exhibition correspond to the period of 18 years that he lived on the island. He has also added that what gives him the most joy is thinking that his works give people joy. “

The curator of the exhibition, Enrique Juncosa, has highlighted that Zush is an artist who:

Has known how to create an inner world, creating characters and turning them into myths; He is a pioneering and current artist, as is the study of identity, his relationship with drawing, collaborations with other artists, his relationship with electronic music, and he is an advanced figure in the artistic currents of surrealism and pop art.”

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