video

Anna Malagrida presents “L’Attente” at La Filature, Mulhouse

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An essential artist on the contemporary scene, Anna Malagrida, has been working in photography and videography since the late 90s with impressive consistency. Malagrida addresses political issues with great poetic delicacy and subtly works the staging, the play of light and chiaroscuro, confusing photography and pictorial art in the same gesture.

Anna Malagrida expresses the personal representation of the city of Paris through her images: the globalized city, on its walls and facades, appears as a skin that bears the traces of the events and crises it is going through.

Exhibition from January 17th to March 5th, 2023 at La Filature, Mulhouse
Tuesday to Sunday from 2pm to 6pm + show nights
(La Filature will be closed to the public from February 12 to 26.)

For more information you can visit the La Filature website through this link:

L’ATTENTE

Roger Ballen for Loop Fair 2022: “Roger The Rat”

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Roger Ballen, “Roger The Rat” for LOOP Fair Barcelona

15- 17 November 2022

📍Room 304, Almanac Barcelona

We’re happy to announce Roger Ballen as this year’s artist for Loop Fair with his work: “Roger the Rat”, which will be exhibited at #LOOP22 (15-17 Nov) where a selection of contemporary artists’ films and videos will be presented by international galleries in a unique viewing experience in Barcelona.

Roger Ballen created a persona, Roger the Rat. Here, the artist creates and documents an archetypal persona who is a part-human, part-rat creature who lives an isolated life outside of mainstream society. In this film, we follow Roger the Rat, as he moves out of his restrictive hovel to an abandoned graveyard of discarded mannequins taking them to his house to dress and communicate with them.

Initially Roger the Rat was ecstatic with his newfound companions as he could dress them, talk to them and share his feelings. As time passes, he comes increasingly frustrated by their lack of response which leads to his outbursts of violent and irrational behavior. Roger the Rat, gives expression to the corroding effects of loneliness, seclusion, and uncomfortable suffocation in confined spaces afflicted on the human psyche as a consequence of the isolation.

ALL THE INFORMATION HERE

ARTIST BIO

Roger Ballen was born in New York in 1950, son of a photograph editor at Magnum.

Ballen has worked as a geologist and mine consultant before launching his own photographic career, documenting small towns in rural Africa and their isolated inhabitants, spending more than 40 years living there.

It was in the 90s when his style changed, trying the black and white technique and a more ‘documentary fiction’ approach to his work. Ballen has always been intrigued by the idea of a hybrid between photography and drawing, as well as the expansion of his visual language, making him experiment with video works where the human conditions are his main subject matter.

He is considered one of the most influential artists of the 21st century, having published over 25 books internationally and being part of multiple solo and group exhibitions since 1981.

Anthony Goicolea for Loop Festival 2022: “Don’t make a scene”

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Galeria SENDA presents Anthony Goicolea – “Don’t Make a Scene” (2020)
LOOP Festival, 8 – 20 November 2022


Galeria SENDA is pleased to present Anthony Goicolea in this years edition of the LOOP Festival from the 8th of November till the 20th of November.

“Don’t Make a Scene” (2020) is a monologue presented in the form of a silent film. The short unfolds as a book of drawings made during the initial six weeks of the Covid-19 quarantine. Each drawing is done on semi-translucent sheets of mylar film. The portraits are character studies presented as actors from a one-act play.
 
Made during a six-week period of forced isolation, Goicolea casts myself as the emcee in the guise of an early 1900’s cabaret host as an allusion to past and present pandemics.

Stills from the original video


Dressed in period stage drag the emcee enters in a black cloak and beaked mask. During the 17 th-century plague, European physicians wore beaked masks, leather gloves, and long coats in an attempt to fend off disease. The mask is removed to reveal pancake make-up and reddened cheeks that were often used to hide early signs of “Consumption” or the “White Plague”. And the pomaded coifure, rouge, lipstick and stage make up has links to paintings made during the pandemic of 1918 as well as referneces to drag and queer communities affected by the on going AIDS pandemic.
 
The musical accompaniment is a slow unfolding waltz whose beat is in sync with the rhythmic turning of the pages. The slow steady beat marches onward toward isolation, tedium, fear and the final hooded figure of death.

ARTIST BIO
Anthony Goicolea is an American born artist of Cuban origin. Known internationally for his photographs, drawings, paintings, sculptural installations, and films, the artist works across mediums creating a self-referential visual language that explores identity, migration and transition, displacement and alienation, as well as assimilation and group dynamics. Goicolea uses the architecture of the human body and constructed landscapes to create worlds predicated on fantasy but based in reality.

About LOOP Barcelona

LOOP Barcelona is a platform dedicated to the study and promotion of the moving image. Founded in 2003, since its creation it offers a specialized audience a curated selection of video-related contents from challenging perspectives. An international community of artists, curators, gallerists, collectors and institution directors, team up to develop projects, which aim at exploring the capacities of video and film in today’s contemporary art discourses.

Inverso Mundus, by AES+F at Recontemporary, Torino

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During the period of the Artissima fair, Recontemporary presents “Inverso Mundus” by the AES+F collective, a show in collaboration with Galeria SENDA (Barcelona).

Opening: Friday, November 4 from 7:00 p.m. to 9:00 p.m.

Press Preview: November 2 and 3, 10:30 a.m. – 1:30 p.m.

Extraordinary openings Art Week: 5.11 → 10.30am – 9pm / 6.11 → 4pm – 9pm

The work is signed by the AES+F collective, artists who have represented Russia on various occasions and events such as the Venice Biennale and Sao Paulo, and who at this time have openly distanced themselves from the politics of their country. A choice intended to support artistic production regardless of the country of origin.

Inverso Mundus is a critique of the despotic situation we live in today, in the midst of the climate, social and economic crisis, exploitation and gender inequality. The video work, about 40 minutes long, is presented with an ad hoc setting designed by the designer Andrea Isola with the input of the participants in the Exhibition Design workshop organized by Recontemporary in the days immediately prior to the opening.

The work “Inverso Mundus” has as its initial point of reference the carnivalesque engravings of the 16th century in the “upside down world” genre, an early form of populist social criticism that emerged with the arrival of Gutenberg’s printing press. The title of the project mixes old Italian and Latin, from a centuries-old stratification of meanings, combining “Inverso”, the Italian “reverso” and old Italian “poetry”, with the Latin “Mundus”, which means “world”. “.

This work reinterprets contemporaneity through the tradition of printmaking, depicting a contemporary world consumed by a tragicomic apocalypse where social conventions are turned upside down to highlight underlying premises we take for granted:

Metrosexual garbage men bathe the streets with sewage and garbage. An international board of directors is usurped by its impoverished doppelgangers. The poor give alms to the rich. Chimeras come down from the sky to be petted like pets. A pig guts a butcher. Women dressed in cocktail dresses sensually torture men in cages and devices inspired by IKEA furniture in an ironic reversal of the Inquisition. Tweens and octogenarians fight a kickboxing match. Riot police embrace protesters in an orgy on a huge luxurious bed. Men and women carry donkeys on their backs and virus-like radiolaria in Haeckel’s illustrations, peering out and perching on unsuspecting people who are busy taking selfies.

The video’s background music is an amalgamation of Léon Boëllmann’s 1895 Gothique, an original piece by contemporary composer and media artist Dmitry Morozov (also known as VTOL), along with excerpts from Ravel, Liszt, Mozart and Tchaikovsky, with a special emphasis on “Casta Diva” by Norma by Vincenzo Bellini.

AES+F – Inverso Mundus, Stillage #6
AES+F – Inverso Mundus, Stillage #1

Recontemporary message:

“The works are a reference to the current situation of sudden changes and extreme instability, a moment in which more than ever it is necessary to be carried away by the communicative power of art and the power it has to unite and make people reflect, synthesizing universal messages.”