ANNA MALAGRIDA presents “L’Attente” at La Filature, Mulhouse

An essential artist on the contemporary scene, Anna Malagrida, has been working in photography and videography since the late 90s with impressive consistency. Malagrida addresses political issues with great poetic delicacy and subtly works the staging, the play of light and chiaroscuro, confusing photography and pictorial art in the same gesture.

Anna Malagrida expresses the personal representation of the city of Paris through her images: the globalized city, on its walls and facades, appears as a skin that bears the traces of the events and crises it is going through.

Exhibition from January 17th to March 5th, 2023 at La Filature, Mulhouse
Tuesday to Sunday from 2pm to 6pm + show nights
(La Filature will be closed to the public from February 12 to 26.)

For more information you can visit the La Filature website through this link:

Imma Prieto on “Love Song”, a show by ELENA DEL RIVERO

Conducting: the ritual of gesture

By Imma Prieto, director of Es Baluard, Museu d’Art Contemporani de Palma

Elena del Rivero has generated new music sheets, compositions constituted in and from the fragment, a palimpsest of memories that create community and collective imagination. Each work is nourished by previous gestures and generates choreographies in which we can intervene from shared thought. All these works accompany each other and are constellations that make up her vital imagination.

In this stellar space other voices resonate, other internal and social movements. In this space that welcomes us today, intimate passages and collective revolts are presented in constant dialogue, all forging her visual writing. Images, words, sound, spaces, her universe flies over us and touches us.

Without this necessary friction, the movement that fosters conduction would not take place, which, in the composer’s words, becomes a universal vocabulary in which music becomes language, made up of gestures and cadences, of fragments and memories of a collective ritual.

Some of the fragments that make up these collages were part of other works that were on the floor of his old studio, located on Cedar Street in New York, the day the attack took place of the World Trade Center, on September 11, 2001.

We could imagine that, months later, after collecting the fragments, Butch Morris was being heard in some room in the city. Tunes that coexist and promote frequencies from almost forgotten remnants. It is interesting to point to that gesture before and after something, it is interesting to think together about that universal conduction.

It is convenient to attend to the generated landscapes, to the ritual that surrounds them and allows us to be united, with that pairing of images, rhythms and stories, with that simultaneity that promotes the performativity of the ritual.

Access all the information about the show here:

Opening: 12.01.2023 at 7pm in Galeria SENDA.

Read the complete text in spanish here: