SANDRA VÁSQUEZ DE LA HORRA receives the Käthe Kollwitz Award

From Galeria SENDA, we are pleased to announce that Chilean artist Sandra Vásquez de la Horra has been awarded the Käthe Kollwitz Award. For those who don’t know about the history of this annual award, it was born in 1960 and is named after the German artist Käthe Kollwitz. Kollwitz was a painter, sculptor and printmaker in the realist movement, who was very socially committed to this style during the 19th century and who embraced expressionism in the early 20th century. The Akademie der Künste – Berlin Academy of Arts – has awarded its prize this year to Vásquez de la Horra, who has been living in Germany since 1995.

More about the artist

Sandra Vásquez de la Horra, born in 1967 in Viña del Mar (Chile), graduated in Visual Communication at the University of Design in her hometown and subsequently completed her studies in Fine Arts at the Academy of Art in Düsseldorf (Germany). Abroad, in 2002, he studied photography, film and new media at the Kunsthochschule für Medien Köln – Academy of Visual Arts in Cologne. It should also be noted that since he moved to Germany in 1995, he has continued to produce his work from Berlin. Therefore, we can observe the great esteem and the indissoluble bond that the artist and the German country have created after years of living and creating new projects from there.

This year, Vásquez de la Horra has exhibited at the Goethe-Institut in Santiago de Chile and in 2022 she participated in the 59th Venice Biennale. The artist has already been honoured with extensive solo exhibitions such as the one at the Denver Art Museum with “The Awake Volcanoes” (2024) or, for example, the one held at the gallery, “Aura” (2022). 

Why Vásquez de la Horra’s personal style

In Vásquez de la Horra‘s works, the artist uses wax crayon to construct a dark imaginary that evokes an imaginary and fantastical world that touches on subversive themes such as religion, mythology, sex, popular culture, social networks and death. Through this dystopian execution, the spectator is introduced into a universe of fictitious and enchanted creatures characterised by carnal and psychological concerns, a resource that Vásquez de la Horra uses to make us reflect on social issues that affect us directly, although we often leave them aside. Therefore, we could say that she is an artist whose visual language thematises the conflicts faced by today’s society.

Her works bring together a series of archetypes of the collective consciousness, questions of gender and sexuality, intercultural reflections and themes of spiritual practices. The reason for this artistic discourse that is so rooted in social protest can be explained when one gets to know the artist’s biography. Vásquez de la Horra grew up in an era which, following the coup d’état of the Chilean military junta in 1973 and the seizure of power by Augusto Pinochet, was dominated by torture, repression, disappearances and numerous human rights violations for more than seventeen years.

With the return of democracy in 1990, the population was able to digest and come to terms with the country’s history, the imprint of which can be seen in Sandra Vásquez de la Horra‘s artwork. In addition to showing the barbarities that her country experienced, her projects depict family confrontations, the mythologies of the indigenous population and the colonial domination of Europeans in Central and South America.

The drawings Vásquez de la Horra creates are both small and large format, on paper and cardboard, and are characterised by their density, colours and precision. Some of his creations are dipped in wax, a treatment that adds depth to the drawing and allows him to construct three-dimensional works in the form of an accordion.

Prize and celebration

On the occasion of the award ceremony of the Käthe Kollwitz Award 2023, the Akademie der Künste will exhibit a selection of Vásquez de la Horra‘s works; a total of more than 60 drawings, photographs and objects that will be exhibited in a site-specific installation. The ceremony will take place at the Akademie der Künste itself on 18 June at 7 p.m. and the special exhibition will be open to the public from 19 June to 25 August.

Children of the Fundació Comtal portray works exhibited in the gallery for the “World Selfie Day in Museums”

Last Wednesday, January 18, 2023 will remain engraved in the memory of the children of the Fundación Comtal, an organization that has been working tirelessly since 1994 to provide opportunities for the future to children, adolescents and young people in vulnerable situations and their families. On this special occasion, on the occasion of “World Selfie Day in Museums”, they had the privilege of visiting Galeria SENDA.

From the moment they set foot in the gallery, the young people were greeted with a warm welcome and a detailed explanation of the current exhibition: “Love Song” by renowned artist Elena Del Rivero. Excited by the opportunity to immerse themselves in the world of contemporary art, they listened attentively as the story and meaning behind each work of art on display at SENDA was narrated to them.

After absorbing all the information about the exhibition, came the most exciting moment of the visit. As part of the scheduled activity, each child was invited to choose one of the works on display in the gallery to study it closely. With pencils and paper in hand, they immersed themselves in a world of creativity and expression. With each stroke, they tried to capture the essence and beauty of the surrounding artwork. From the vibrant colors to the smallest details, each child let their imagination run wild as they brought their own interpretation of the works to life.

Amidst laughter and murmurs of excitement, the young people shared their creations with each other, enthusiastically describing every detail they had captured in their drawings. For many of them, this experience was much more than just an artistic exercise; it was a unique opportunity to express their emotions and unleash their creativity.

As the visit came to an end, the young people left Galeria SENDA with a sense of satisfaction and pride in what they had accomplished. For them, this experience was not only an opportunity to explore the world of art, but also a reminder that, despite the challenges they face in their daily lives, they have the power to create beauty and meaning around them.

In short, “World Selfie Day at Museums” was not only a celebration of art, but also a reminder of the positive impact art can have on the lives of children, especially those who need it most. Although it may seem like a global, absurd and little-known day, it is thanks to such oddities that art never dies. Moreover, thanks to initiatives such as the one proposed by Galeria SENDA for this celebration, art continues to be a beacon of hope and creativity for future generations. Because, as the German philosopher Friedrich Nietzsche, said: “Without art, life would be a mistake“.

Image of a group of people in an art gallery

Chus Roig, partner and co-founder of the gallery during the explanation with the Fundació Comtal group

Here are some of the most outstanding drawings that the children of the Fundació Comtal created for this initiative, along with their respective original work:

Sculpture of a young woman's face by Jaume Plensa
Jaume Plensa
Martina (2022)
Wood, 140 x 32 x 44 cm

Metal and glass sculpture
Túlio Pinto
Complicity #29 (2021)
Steel and glass, 140 x 40 x 96 cm
Wooden sculpture of a man with black jacket, white shirt and pink tie
Stephan Balkenhol
Man with pink tie (2022)  
Wood, 120 x 95.5 x 11.7 cm
Dark canvas with large white star in the center and the word "FEAR" in red
Elena Del Rivero
#102 (2020)
Collage with damaged and recovered fragments of acrylic on canvas, oil, thread and canvas plastered on museum board, 29 x 23 cm

Abstract painting of beings with yellow faces
Evru Zush
Girls Of My Life (1988)
Oil on paper, 92 x 184 cm

Galeria SENDA at Art Brussels 2021

03.06 – 06.06.21, Tour & Taxis

Black, white and red abstract polka dot painting

Donald Sultan. Autumn Mimosa (Feb, 2018)
Enamel, latex, graphite and tar on masonite. 122 x 244 cm

From June 3rd to 6th, Galeria SENDA presents a group exhibition at Art Brussels, one of the most renowned contemporary art fairs in Europe and an unmissable event on the international art calendar. Art Brussels is the ideal opportunity to discover the artistic and cultural richness of the art and cultural scene of the European capital, attracting a considerable number of collectors, curators, gallery owners, art professionals and art lovers from all over the world. Each year, the fair welcomes around 25,000 visitors to the emblematic Tour & Taxis building in the heart of the Belgian capital.

Instead of the usual format, this year the Belgian fair will offer a new edition: the Art Brussels week will feature Viewing Rooms, i.e. online exhibitions, from June 2nd to 14th and will also present physical gallery tours from June 3rd to 6th. For those unfamiliar with the term “viewing room,” this is a digital system that allows viewers to explore and examine works of art, either through high-quality images, videos or detailed descriptions. These viewing rooms are often used at art fairs and galleries as a way to show works of art to those who cannot physically attend the place where the works are exhibited. Through the “viewing rooms” visitors can, apart from appreciating the pieces, obtain information about them and the artists and even contact the gallery to make inquiries or purchases. All you need is an Internet connection and a great desire to enter into this extrasensory experience of online visits.

Painting of a racialized person lying on an orange float floating in dark water

Anthony Goicolea. Inflatable Pieta.
Oil on raw linen canvas. 90 x 130 cm

This year, for the physical gallery tour, SENDA invites the public to visit our current exhibition: “Day and night: New paintings and drawings” by Donald Sultan. Sultan is a contemporary painter, sculptor and printmaker known for his large-scale paintings, which explore the dichotomies between beauty and rudeness and realism and abstraction through the construction of a particular imaginary rich in color and form. With the fusion of techniques and materials, Sultan manages to build works that dance between the representation of images directly recognizable in the collective imagination and the purest abstraction. A great example of this mix of concepts is his ability to reinvent a technique as old as still life, using images of lemons, poppies, fruits, flowers and everyday objects, which give a breath of fresh air to the grandeur of his compositions.

The online exhibition continues to present our selected artists in the Viewing Room so that the shows can reach many more people. The artists chosen to represent our gallery in Brussels are Peter Halley, Jaume Plensa, Yago Hortal, Anthony Goicolea, Jordi Bernadó, Oleg Dou, Glenda León, Stephan Balkenhol, Gino Rubert and Evru Zush. The exhibition includes painting, photography, sculpture and drawings to create a constellation of works representing multiple techniques and artistic expressions. The wide variety of artistic proposals for this art week in Brussels aims to extol the most significant attributes of our gallery, advocating a brutal combination that perfectly represents the exquisiteness of the contemporary art that SENDA is committed to exhibit.

Do not miss this unique artistic encounter where works from different corners of the world converge for a few days in Brussels to be appreciated by a wide range of attendees and art lovers, in a unique cultural experience.