Jaume Plensa’s doors are installed at the Liceu in Barcelona

Jaume Plensa‘s stainless steel sculptural doors stand majestically at the entrance to the Gran Teatre del Liceu, marking a new era for this iconic coliseum on Barcelona’s Ramblas. Although their final installation is still in progress, passersby can already glimpse the magnificence of these monumental structures, each weighing half a ton.

On Tuesday, onlookers witnessed how the three imposing trellises designed by the acclaimed Catalan artist, who has closely supervised every stage of this ambitious project, will look. As the September opening date approaches, coinciding with the expected return of activity at the Liceu, these works of art will be temporarily covered with a tarp, further heightening anticipation among citizens and art lovers alike.

Image of the facade of the Liceu's steel doors

Christened with the evocative name of “Constel·lacions“, these doors represent much more than simple architectural elements. They are a tribute to the Liceu itself, to the music that has filled its halls over the years, to the emblematic grilles designed by Gaudí and to the nearby legacy of Miró, whose mosaic adorns the nearby Pla de l’Os.

But beyond their aesthetic value, the doors also have a practical function: to preserve the safety and integrity of the surrounding space. By preventing people from taking refuge in the arcade at night, these works of art play a crucial role in protecting the environment, as Víctor García de Gomar, artistic director of the Liceu, pointed out in a previous statement. “Sometimes we find ourselves in hell. It is necessary to protect this space so as not to be complicit in things that happen here, from people shooting heroin, people who want to sleep, situations like rape and prostitution“.

Plensa‘s art not only beautifies the Liceu, but also serves as a reminder of the diversity and cultural richness that defines Barcelona’s Ramblas. Made with alphabet letters from diverse cultures, these doors are a symbol of inclusion and respect for the plurality that characterizes this emblematic artery of the city.

In the midst of controversy and discussion about the fate of public space, Plensa‘s doors represent a balance between aesthetics and functionality, between artistic expression and practical necessity. With their placement, it is hoped that the Liceu will not only be a place of artistic excellence, but also a safe and welcoming refuge for all who visit it.

Interior image of the doors of the Liceu

Excerpt from El Periódico and La Vanguardia

JAUME PLENSA: The new sculptural doors for the Liceu on its 175th anniversary

The doors that the Catalan artist Jaume Plensa has designed for the entrance of the Gran Teatre del Liceu in Barcelona in homage to music, Antoni Gaudí, Joan Miró and the “diversity” of La Rambla in Barcelona, ​​join the celebration of the 175th anniversary this year of the inauguration of the Liceu.

Plensa has assured that with the doors of the lobby he wants to pay homage to Gaudí’s railings and also Miró’s constellations, which is why it has baptized them as Constel·lacions, as well as the “artery of diversity” of Barcelona, ​​which for him is La Rambla. Constel·lacions will be installed in the three arcades of the main entrance of the theater and It will be integrated without affecting other elements incorporated prior to the Oriol Mestres façade from 1874 and recovered in 2019.

Jaume Plensa’s doors that will be incorporated into the entrance of El Liceu.

Plensa has underlined that these doors are a conglomerate of letters that grows, with the color of moonlight, and has remarked that humanity is marked by language, and that in this creation he pretends to show “alphabets of many cultures”.

“You already know my world of texts and alphabets. I like to mix different cultures because I think we are very good when we are together, keeping our individuality and small differences, but how good we are when we are together! And I think these doors are a tribute to diversity, even more so on the Ramblas, which are the artery of diversity in Barcelona.”

Jaume Plensa

Despite admitting that he hates doors as well as everything that closes, the artist has remarked that the more he sees the design the more he likes it -the doors will open vertically- and it has been a success, and he has remarked that they will also be used to ;“dignify the area” in what has been defined as a gift from the Liceu to the city and become the new face of the theatre. Asked if he fears the doors might be damaged, he has said it will provide a finish that supports restoration very well without fuss.

These are “quite light” pieces in the words of the artist, about 500 kilograms each and a thickness of 1 centimeter of steel, which gives them rigidity and lightness at the same time. The president of the Liceu, Salvador Alemany, and the theater’s artistic director, Víctor Garcia de Gomar, have trusted that the doors will be installed at the start of the 2022-2023 season at the end of September. They have cost around 750,000 euros -Plensa has not wanted to collect the fees-, of which 50% is assumed by the ACS Foundation, 35% through Feder funds and the remaining 15% for the theater, reports Europa Press.

Excerpt from El Mundo

The model of Plensa’s work for the Liceu. (Photograph: FERRAN NADEU)

 “The doors presented two extraordinary challenges” – adds Plensa. “One is the building itself, which everyone says is horrible but I think that when the horror accumulates it ends up being wonderful. I would not touch a comma of this building, I love it. I love the lamps at the entrance. And the second is that we are facing an extraordinary work by Miró on the Ramblas that I think has marked many things in the city in a very strong way, including the tragic moment of the attack in the city, which ended up just ahead.”

“In these Constel·lacions I wanted to pay homage to the Liceu, to music, but also to think of an architect who has given us many days of glory in the city, Gaudí, and I choose the title precisely because of this world of Miró’s constellations, which is the one I especially want to pay tribute to,” he said.

Excerpt from La Vanguardia

Plensa, with the model of his work for the Liceu. (Photograph: FERRAN NADEU)