Peter Halley’s project is an homage to Latin American Modernism. The booth combines five new paintings executed in neo-plastic primary and secondary colors, in which Halley characteristically transforms the rectilinear modernist grid into a static image of a prison. On the surrounding walls, Halley has created a digital black and white montage of paintings from twenty-four Latin American abstract masters, transforming these works into an overall web of faceted vectors.
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