{"id":24953,"date":"2020-06-12T10:30:58","date_gmt":"2020-06-12T08:30:58","guid":{"rendered":"https:\/\/galeriasenda.com\/?p=24953"},"modified":"2020-06-12T18:45:59","modified_gmt":"2020-06-12T16:45:59","slug":"carlos-duran-until-we-will-not-make-culture-a-priority-this-society-will-become-less-and-less","status":"publish","type":"post","link":"https:\/\/galeriasenda.com\/en\/carlos-duran-until-we-will-not-make-culture-a-priority-this-society-will-become-less-and-less\/","title":{"rendered":"Carlos Dur\u00e1n: “Until we don’t make culture a priority, this society will grow smaller”"},"content":{"rendered":"\n

Interview by LAURA ROSEL by DIARI ARA<\/a><\/p>07\/06\/2020<\/strong><\/cite><\/blockquote>\n\n\n\n

Carlos Dur\u00e1n says lockdown, but he should say \u043a\u0430\u0440\u0430\u043d\u0442\u0438\u043d. In both English and Russian, the confinement has been for Galer\u00eda Senda, which Dur\u00e1n founded in 1991, an unexpected springboard in the international market. For a week – yesterday was the last day – the Pushkin State Museum of Fine Arts in Moscow has had this gallery from Barcelona as an ally in an online video art project. TEDIUM includes around twenty artists, of which 9 are Catalan. Dur\u00e1n still doesn’t believe it. \u00abHow is it possible that a microscopic gallery in Barcelona like ours could work side by side with the Pushkin? It is incredible!\u00bb The enthusiasm is palpable even through the screen that separates us, as he excitedly remembers the long month of working with the Russians. “It has been a privilege,” he concludes. The Pushkin project is also, in a way, the fruit of the “existential change” that the gallery undertook five years ago and which, according to its director, seems to be the right path. A change that implied rethinking its philosophy, searching for ways to interact with the local public, to look for “responses beyond sales” and, ultimately, to generate “an enrichment somewhat greater than the exhibition itself.”<\/p>\n\n\n\n

The Senda Gallery team saw the confinement coming almost by intuition and it caught them “less unprepared” than they would have thought. The last days the activity in the Trafalgar street premises was frenzied: \u00abWe ran to close pending issues of Arco, we were scared of purchase cancellations or of customers cooling down, as has indeed happened in the end\u00bb. While they were managing the last duties before locking the door of the gallery, they were already thinking of what they would do until it was time to reopen. But despite anticipating the pothole, they did not suspect its magnitude. The gallery had never been closed for so many days. A situation that, however, and seeing the results, Dur\u00e1n does not hesitate to describe as “curious, entertaining, and less arduous than previously thought.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Russian incursions aside, for the director of the Senda Gallery, the confinement has been the desperate confirmation of the bad prognosis for the sector. Culture is in the ICU – “this is unquestionable” – and Dur\u00e1n is outraged by the attitude of society, which he sees as too “relaxed”, accepting the cultural crisis without doing nothing to prevent it. “We have to stop this, we have to start saying it is enough.” He appeals to collective responsibility: “Everyone, from their own position, should ask themselves why it is happening.” And he reminds of the cultural past of Barcelona, \u200b\u200bexceptionally prosperous at the time when the Palau de la M\u00fasica, the Liceu and the Sagrada Familia were born. “We are inheritors of a sophisticated and interwoven culture, of a society that created cultural institutions and praised painters’ schools as if they were football teams.” It might be the bad connection of the video call, but for a moment the Dur\u00e1n’s expression has darkened: “Until we will not make culture a priority, this society will become less and less.” And he adds: “Those that do not want to see it, they might want to hide it.” Precisely now, in the face of a crisis of such magnitude, it is from the filed of culture that we should find “relief” or even “strategies to overcome it.”<\/p>\n","protected":false},"excerpt":{"rendered":"

Interview by LAURA ROSEL by DIARI ARA 07\/06\/2020 Carlos Dur\u00e1n says lockdown, but he should say \u043a\u0430\u0440\u0430\u043d\u0442\u0438\u043d. In both English and Russian, the confinement has been for Galer\u00eda Senda, which Dur\u00e1n founded in 1991, an unexpected springboard in the international market. For a week – yesterday was the last day – the Pushkin State Museum […]<\/p>\n","protected":false},"author":142,"featured_media":24972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-24953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gallery-en"],"acf":[],"yoast_head":"\nCarlos Dur\u00e1n: "Until we don't make culture a priority, this society will grow smaller" – Galeria Senda<\/title>\n<meta name=\"description\" content=\"Interview by LAURA ROSEL by DIARI ARA07\/06\/2020 Carlos Dur\u00e1n says lockdown, but he should say \u043a\u0430\u0440\u0430\u043d\u0442\u0438\u043d. 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