{"id":16455,"date":"2016-06-28T12:13:49","date_gmt":"2016-06-28T11:13:49","guid":{"rendered":"https:\/\/galeriasenda.com\/?p=16455"},"modified":"2016-07-12T13:36:00","modified_gmt":"2016-07-12T12:36:00","slug":"adrian-balseca-participate-in-ecuador-the-center-of-the-world-and-little-beyond","status":"publish","type":"post","link":"https:\/\/galeriasenda.com\/en\/adrian-balseca-participate-in-ecuador-the-center-of-the-world-and-little-beyond\/","title":{"rendered":"Adri\u00e1n Balseca, participates in Ecuador: The center of the world (and a little beyond)"},"content":{"rendered":"

Pablo Jos\u00e9 Ram\u00edrez , curator and political theorist, has written an article for the space Cites and Places <\/em>on the page of the Cisneros Collection, based on European migration to Ecuador and its influence in the architecture and other elements of the country.<\/p>\n

Ramirez comments: \u201cReflecting on the relation between history-aesthetics-politics, I will try, with this text, to sketch, draw and imagine views that come close to the modern and contemporary Ecuador, through different conceptual paths through the pre-Colombian and colonial history.\u201d<\/p>\n

In the text there are images of courtesy from artists such as Adri\u00e1n Balseca, Oswaldo Terreros, and Jos\u00e9 Falconi, who reflect the artistic and thought-provoking focus that they give to Ecuador and its unfinished modernity.<\/p>\n

\n

“This critical approach from\u00a0contemporary art in Ecuador is not necessarily founded\u00a0in the logics of \u201csocially compromised art\u201d, nor much less in art that discusses\u00a0politics, but rather a much wider meaning. These proposals sabotage different places of power: collections, archives, national emblems, normalized identities” (Ram\u00edrez, 2016)<\/p>\n<\/blockquote>\n

Complete article here.<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Pablo Jos\u00e9 Ram\u00edrez , curator and political theorist, has written an article for the space Cites and Places on the page of the Cisneros Collection, based on European migration to Ecuador and its influence in the architecture and other elements of the country. Ramirez comments: \u201cReflecting on the relation between history-aesthetics-politics, I will try, with […]<\/p>\n","protected":false},"author":142,"featured_media":16420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-16455","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-artist-en","post_format-post-format-image"],"acf":[],"yoast_head":"\nAdri\u00e1n Balseca, participates in Ecuador: The center of the world (and a little beyond) – Galeria Senda<\/title>\n<meta name=\"description\" content=\"Pablo Jos\u00e9 Ram\u00edrez , curator and political theorist, has written an article for the space Cites and Places on the page of the Cisneros Collection, based\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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