{"id":112409,"date":"2025-11-12T19:49:12","date_gmt":"2025-11-12T17:49:12","guid":{"rendered":"https:\/\/galeriasenda.com\/?p=112409"},"modified":"2026-01-02T14:56:30","modified_gmt":"2026-01-02T12:56:30","slug":"gonzalo-guzman-the-dolmen-of-nemorino-for-the-salo-dels-miralls-at-the-gran-teatre-del-liceu","status":"publish","type":"post","link":"https:\/\/galeriasenda.com\/en\/gonzalo-guzman-the-dolmen-of-nemorino-for-the-salo-dels-miralls-at-the-gran-teatre-del-liceu\/","title":{"rendered":"GONZALO GUZM\u00c1N. \u201cThe Dolmen of Nemorino\u201d for the Sal\u00f3 dels Miralls at the Gran Teatre del Liceu"},"content":{"rendered":"\n<p>Galeria SENDA invites you to join <a href=\"https:\/\/galeriasenda.com\/artista\/gonzalo-guzman\/\"><strong>Gonzalo Guzm\u00e1n<\/strong> <\/a>(1991) for the presentation of <em>The Dolmen of Nemorino<\/em>, a monumental five-meter-high installation conceived especially for the <em>Sal\u00f3 dels Miralls<\/em> of the <em>Gran Teatre del Liceu<\/em>, coinciding with the premiere of <em>L\u2019elisir d\u2019amore<\/em> by Gaetano Donizetti.<\/p>\n\n\n\n<p>The connection between opera and sculpture is no coincidence. The origin of the work stems from an intimate family story: the artist\u2019s father, Joaqu\u00edn, came to Barcelona as a young man to study singing with Maestro Puig, dreaming of becoming a professional opera singer. His greatest wish was to one day perform on the stage of the Liceu. However, while rehearsing <em>Una furtiva lagrima<\/em>, the most famous aria from <em>L\u2019elisir d\u2019amore<\/em>, he suddenly lost his voice. That episode changed the course of his life: he could no longer pursue his career as a tenor, yet he always maintained a deep bond with music and art \u2014a sensibility he passed on to his son from childhood.<\/p>\n\n\n\n<p>\u201cThis work is a way of closing a circle,\u201d explains Guzm\u00e1n. \u201cIt is a way of returning, in the form of sculpture, something of that emotion he transmitted to me since I was a child, and of allowing, in some way, that voice to inhabit the Liceu once again.\u201d<\/p>\n\n\n\n<p><em>The Dolmen of Nemorino<\/em> rises as a contemporary dolmen made of stainless steel, set upon a mound of earth that enters into dialogue with the golden architecture and mirrors of the hall. In its monumental scale and primal simplicity, the piece reflects the artist\u2019s own vital and creative process: a constant dialogue between desire and matter, between what is imagined and what sculpture allows.<\/p>\n\n\n\n<p>Guzm\u00e1n conceives his sculptural practice as an exercise in trust and listening. \u201cI allow the sculpture to happen,\u201d he states. \u201cIt\u2019s a way of understanding life: things happen because they can only happen in one way \u2014the way they do. A sculpture can only exist as it has appeared, with all the accidents and conditions that have made its form possible.\u201d<\/p>\n\n\n\n<p>That same idea runs through his father\u2019s story: the moment he lost his voice, far from being a rupture, became a lesson in acceptance and learning. Sometimes, when Guzm\u00e1n sees him still practicing fragments of opera, he recognizes in that gesture an emotional continuity with a passion that never disappeared but rather transformed.<\/p>\n\n\n\n<p>For the artist, true importance lies in the gaze with which we confront what happens to us. Like Nemorino, the protagonist of Donizetti\u2019s opera, who discovers hope in a single tear that drives him to go on, <em>The Dolmen of Nemorino<\/em> offers a reflection on trust, transformation, and endurance.<\/p>\n\n\n\n<p><strong>22 November \u2014 15 December 2025 \u00b7 Hall of Mirrors, Gran Teatre del Liceu<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Galeria SENDA invites you to join Gonzalo Guzm\u00e1n (1991) for the presentation of The Dolmen of Nemorino, a monumental five-meter-high installation conceived especially for the Sal\u00f3 dels Miralls of the Gran Teatre del Liceu, coinciding with the premiere of L\u2019elisir d\u2019amore by Gaetano Donizetti. The connection between opera and sculpture is no coincidence. The origin [&hellip;]<\/p>\n","protected":false},"author":142,"featured_media":112456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,2],"tags":[1661],"class_list":["post-112409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist-en","category-gallery-en","tag-gonzalo-guzman-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>GONZALO GUZM\u00c1N. \u201cThe Dolmen of Nemorino\u201d for the Sal\u00f3 dels Miralls at the Gran Teatre del Liceu &ndash; Galeria Senda<\/title>\n<meta name=\"description\" content=\"Galeria SENDA invites you to join Gonzalo Guzm\u00e1n (1991) for the presentation of The Dolmen of Nemorino, a monumental five-meter-high installation\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriasenda.com\/en\/gonzalo-guzman-the-dolmen-of-nemorino-for-the-salo-dels-miralls-at-the-gran-teatre-del-liceu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GONZALO GUZM\u00c1N. \u201cThe Dolmen of Nemorino\u201d for the Sal\u00f3 dels Miralls at the Gran Teatre del Liceu &ndash; 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