{"id":114511,"date":"2026-07-27T13:15:38","date_gmt":"2026-07-27T11:15:38","guid":{"rendered":"https:\/\/galeriasenda.com\/fundacion-solo-y-galeria-senda-presentan-_criaturas-hibridas_\/"},"modified":"2026-07-27T15:54:44","modified_gmt":"2026-07-27T13:54:44","slug":"fundacion-solo-y-galeria-senda-presentan-_criaturas-hibridas_","status":"publish","type":"post","link":"https:\/\/galeriasenda.com\/ca\/fundacion-solo-y-galeria-senda-presentan-_criaturas-hibridas_\/","title":{"rendered":""},"content":{"rendered":"\n

El 30 de setembre, Fundaci\u00f3n SOLO i Galeria SENDA presenten Criatures h\u00edbrides<\/em>, una exposici\u00f3 col\u00b7lectiva a Movimiento 37 que reuneix obres de Gonzalo Guzm\u00e1n, Sandra V\u00e1squez de la Horra i Evru\/Zush.<\/p>\n\n\n\n

La mostra proposa un recorregut per tres universos art\u00edstics en qu\u00e8 les formes es troben en un estat de transformaci\u00f3 permanent. A trav\u00e9s de l\u2019escultura, el dibuix i la creaci\u00f3 de sistemes simb\u00f2lics, els artistes q\u00fcestionen les fronteres que separen l\u2019\u00e9sser hum\u00e0 de l\u2019animal, l\u2019org\u00e0nic de l\u2019artificial, l\u2019experi\u00e8ncia material del somni i la realitat de la imaginaci\u00f3.<\/p>\n\n\n\n

El t\u00edtol de l\u2019exposici\u00f3 remet a una llarga tradici\u00f3 d\u2019imatges constru\u00efdes a partir de la barreja, la metamorfosi i el despla\u00e7ament. L\u2019any 1844, l\u2019il\u00b7lustrador franc\u00e8s Jean-Ignace-Isidore Grandville va publicar Un autre monde<\/em>, un llibre poblat per \u00e9ssers impossibles, objectes animats i criatures que combinaven caracter\u00edstiques humanes, animals i vegetals. M\u00e9s d\u2019un segle despr\u00e9s, Max Ernst va recon\u00e8ixer en aquelles il\u00b7lustracions una forma de pensament capa\u00e7 d\u2019anticipar algunes de les inquietuds centrals de l\u2019art modern.<\/p>\n\n\n\n

A Criatures h\u00edbrides<\/em>, aquesta genealogia funciona com a punt de partida per observar com les imatges continuen alterant la nostra manera de percebre i comprendre el m\u00f3n. Cadascun dels artistes participants aborda all\u00f2 h\u00edbrid des d\u2019un territori diferent: Gonzalo Guzm\u00e1n treballa des de la mat\u00e8ria i el somni; Sandra V\u00e1squez de la Horra, des del cos, la mem\u00f2ria i el mite; mentre que Evru\/Zush ho fa des del llenguatge i la construcci\u00f3 d\u2019una cosmologia aut\u00f2noma.<\/p>\n\n\n\n

Gonzalo Guzm\u00e1n: escultures nascudes del somni<\/h2>\n\n\n\n

La pr\u00e0ctica de Gonzalo Guzm\u00e1n es desenvolupa a partir d\u2019imatges sorgides durant experi\u00e8ncies de somni l\u00facid. L\u2019artista trasllada aquestes visions a l\u2019espai f\u00edsic mitjan\u00e7ant escultures d\u2019acer inoxidable que semblen situar-se entre un organisme desconegut, una eina i un artefacte procedent d\u2019un altre temps.<\/p>\n\n\n\n

Les seves superf\u00edcies polides reflecteixen l\u2019arquitectura, la llum i els moviments de les persones que s\u2019hi acosten. D\u2019aquesta manera, les obres no es presenten mai com a objectes completament tancats: canvien segons l\u2019espai que ocupen i incorporen la pres\u00e8ncia de l\u2019espectador dins la seva aparen\u00e7a.<\/p>\n\n\n\n

En aquestes escultures conviuen la solidesa del metall i la inestabilitat de la imatge reflectida. All\u00f2 que va comen\u00e7ar com una experi\u00e8ncia mental adquireix pes i volum, per\u00f2 conserva part de la incertesa del somni. Les seves formes semblen familiars i estranyes alhora, com vestigis d\u2019una realitat que encara no ha estat completament definida.<\/p>\n\n\n\n

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\"\"
Gonzalo Guzm\u00e1n, Estela_50<\/em>, 2026. Acer inoxidable, 78 \u00d7 38 \u00d7 20 cm.<\/strong><\/figcaption><\/figure>\n\n\n\n
\"\"
Gonzalo Guzm\u00e1n, Estela_50<\/em>, 2026. Acer inoxidable, 78 \u00d7 38 \u00d7 20 cm.<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Sandra V\u00e1squez de la Horra: cossos, s\u00edmbols i mem\u00f2ries<\/h2>\n\n\n\n

En els dibuixos de Sandra V\u00e1squez de la Horra, el cos hum\u00e0 es transforma en un territori travessat per m\u00faltiples forces. Les seves figures s\u2019entrellacen amb animals, plantes, s\u00edmbols religiosos, experi\u00e8ncies \u00edntimes, relats populars i mem\u00f2ries pol\u00edtiques.<\/p>\n\n\n\n

Les anatomies que apareixen en les seves obres s\u00f3n permeables i canviants. Els cossos es prolonguen, es fragmenten o es fusionen amb altres esp\u00e8cies, donant lloc a \u00e9ssers que no pertanyen a una \u00fanica categoria. En aquestes figures, la quotidianitat conviu amb l\u2019espiritualitat, el desig amb la mort i la hist\u00f2ria personal amb les mem\u00f2ries col\u00b7lectives.<\/p>\n\n\n\n

L\u2019artista treballa habitualment sobre paper i recobreix els dibuixos amb una capa de cera. Aquest procediment els atorga una pres\u00e8ncia particular: la cera protegeix la imatge, n\u2019intensifica la materialitat i funciona com una pell que conserva les diferents capes de temps contingudes en cada obra.<\/p>\n\n\n\n

\"\"
Sandra V\u00e1squez de la Horra, Alfa<\/em>, 2000. Cer\u00e0mica, 8 \u00d7 29 \u00d7 8 cm.<\/strong><\/strong><\/figcaption><\/figure>\n\n\n\n

Evru\/Zush: un territori creat des del llenguatge<\/h2>\n\n\n\n

En l\u2019obra d\u2019Evru\/Zush, la transformaci\u00f3 assoleix la dimensi\u00f3 d\u2019un m\u00f3n complet. La seva pr\u00e0ctica s\u2019articula al voltant d\u2019Evrugo Mental State<\/em>, un territori aut\u00f2nom que disposa de geografia, escriptura, cartografia, moneda, anatomia, s\u00edmbols i ciutadania propis.<\/p>\n\n\n\n

Aquest estat mental no s\u2019ha d\u2019entendre \u00fanicament com un lloc imaginari, sin\u00f3 com un sistema en expansi\u00f3 constant. En aquest univers, les paraules, els signes i les imatges desenvolupen una vida pr\u00f2pia. El llenguatge deixa de limitar-se a descriure la realitat i es converteix en una eina capa\u00e7 de produir-la.<\/p>\n\n\n\n

Les criatures que habiten aquest univers creuen caracter\u00edstiques humanes, animals, sexuals, mentals i simb\u00f2liques. Les seves identitats es multipliquen i es transformen dins d\u2019una gram\u00e0tica oberta, des de la qual Evru\/Zush planteja la imaginaci\u00f3 com una forma de llibertat i sobirania.<\/p>\n\n\n\n

\"\"
Evru Zush, Admukarud<\/em>, 2008. Grafit, llapis de colors, acr\u00edlic i aquarel\u00b7la sobre paper, 82,8 \u00d7 174,2 cm.<\/strong><\/figcaption><\/figure>\n\n\n\n

Un espai de correspond\u00e8ncies<\/h2>\n\n\n\n

Tot i que els seus llenguatges i procediments s\u00f3n diferents, Gonzalo Guzm\u00e1n, Sandra V\u00e1squez de la Horra i Evru\/Zush comparteixen una concepci\u00f3 oberta de la forma. En les seves obres, cap identitat no es mant\u00e9 completament estable i cada element pot entrar en contacte amb un altre, contaminar-se i convertir-se en alguna cosa diferent.<\/p>\n\n\n\n

L\u2019exposici\u00f3 estableix, aix\u00ed, un di\u00e0leg entre mat\u00e8ria, cos i llenguatge. Les escultures de Guzm\u00e1n fan visible el tr\u00e0nsit entre la imatge mental i l\u2019objecte f\u00edsic; els dibuixos de V\u00e1squez de la Horra reuneixen esp\u00e8cies, s\u00edmbols i mem\u00f2ries en anatomies canviants; i l\u2019univers d\u2019Evru\/Zush mostra la capacitat del llenguatge per crear identitats i realitats alternatives.<\/p>\n\n\n\n

Criatures h\u00edbrides<\/em> convida a rec\u00f3rrer un espai en qu\u00e8 conviuen all\u00f2 arcaic i all\u00f2 contemporani, el somni i l\u2019experi\u00e8ncia, la mem\u00f2ria i la invenci\u00f3. M\u00e9s que presentar \u00e9ssers fant\u00e0stics, la mostra utilitza all\u00f2 h\u00edbrid per pensar la naturalesa canviant de les imatges i la seva capacitat d\u2019obrir altres maneres de comprendre i habitar el m\u00f3n.<\/p>\n\n\n\n

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El 30 de setembre, Fundaci\u00f3n SOLO i Galeria SENDA presenten Criatures h\u00edbrides, una exposici\u00f3 col\u00b7lectiva a Movimiento 37 que reuneix obres de Gonzalo Guzm\u00e1n, Sandra V\u00e1squez de la Horra i Evru\/Zush. La mostra proposa un recorregut per tres universos art\u00edstics en qu\u00e8 les formes es troben en un estat de transformaci\u00f3 permanent. A trav\u00e9s de […]<\/p>\n","protected":false},"author":142,"featured_media":114484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1066],"tags":[1160,1645,2871,638,1647,2872],"class_list":["post-114511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-galeria-senda-ca","tag-escultura-ca","tag-evru-zush-ca","tag-fundacion-solo-ca","tag-galeria-senda-2-ca","tag-gonzalo-guzman-ca","tag-sandra-vasquez-de-la-horra-5-ca"],"acf":[],"yoast_head":"\n– Galeria Senda<\/title>\n<meta name=\"description\" content=\"El 30 de setembre, Fundaci\u00f3n SOLO i Galeria SENDA presenten Criatures h\u00edbrides, una exposici\u00f3 col\u00b7lectiva a Movimiento 37 que reuneix obres de Gonzalo\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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